I borrowed his brightness and used it to see my way, and then gradually, from the habit of looking at the world as he illuminated it, the light in my own mind rekindled.
Men can absent themselves from real life for their art more easily. Women are anchored into the quotidian business of getting food on the table, making sure everybody's socks match, the soccer gear is ready. I admire idealists, but they're usually enabled by someone who holds the tether on their balloon, who pays the bills and sweeps up after them.
Interpretation
What this quote means
The quote speaks to the differing societal roles of men and women regarding their engagement in art and day-to-day responsibilities.
Geraldine Brooks' quote highlights how men often have the privilege to immerse themselves in their art while women are frequently tied to the mundane chores of daily life, such as food preparation and family responsibilities. This observation suggests that while idealists may pursue their passions, their ability to do so is often supported by someone managing the practicalities of life, emphasizing the disparities in gender roles and the unseen labor that keeps dreams afloat.
Themes
In practice
Example use cases
In a women's rights conference discussing the balance between career and family.
More from Geraldine Brooks
All quotes →Sydney in the 1960s wasn't the exuberant multicultural metropolis it is today. Out in the city's western reaches, days passed in a sun-struck stupor. In the evenings, families gathered on their verandas waiting for the 'southerly buster' - the thunderstorm that would break the heat and leave the air cool enough to allow sleep.
...The hagaddah came to Sarajevo for a reason. It was here to test us, to see if there were people who could see that what united us was more than what divided us. That to be a human being matters more than to be a Jew or a Muslim, Catholic or Orthodox. p. 361
The Sarajevans have a very particular world view - a mordant wit coupled with this unbearable sadness and... truckloads of guts, you know.
The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure.
Similar quotes
Now, learning how to make a movie is something you can figure out in about an afternoon. The physics of it, the marks, the lights, etc. What's hard to do is to suspend your own feelings of self consciousness. The natural actors can do that; they can become part of a characterization and learn how to maintain it.
Thus the man who is responsive to artistic stimuli reacts to the reality of dreams as does the philosopher to the reality of existence; he observes closely, and he enjoys his observation: for it is out of these images that he interprets life, out of these processes that he trains himself for life.
Getting the player emotionally involved is the holy grail. We try to make players forget they're playing a game. We want them to live the experience and suspend disbelief.
Perhaps the meaning of all human activity lies in the artistic consciousness, in the pointless and selfless creative act? Perhaps our capacity to create is evidence that we ourselves were created in the image and likeness of God?
The deal is such that when I begin writing something, I open a door, and those characters come in, and then they won't leave, and so I live with them every day, all day. They are there with me when I'm driving my kids to school, when I'm standing in line at the grocery store.
I am the literary equivalent of a Big Mac and fries.