Vitality and beauty are gifts of Nature for those who live according to its laws.
Leonardo Da VinciRead
The merit of painting lies in the exactness of reproduction. Painting is a science and all sciences are based on mathematics. No human inquiry can be a science unless it pursues its path through mathematical exposition and demonstration.
Interpretation
Painting is a precise discipline that relies on scientific principles, particularly mathematics, to replicate reality accurately.
Leonardo Da Vinci emphasizes the idea that fine art, particularly painting, is not just a form of expression but is grounded in the exactness that science and mathematics provide. He argues that any human endeavor that seeks to be categorized as a science must adhere to the rigor of mathematical methods and definitions, suggesting that art and science are interlinked in their pursuit of truth and precision.
In practice
A discussion on the fusion of art and science in a classroom setting.
Vitality and beauty are gifts of Nature for those who live according to its laws.
Small rooms or dwellings set the mind in the right path, large ones cause it to go astray.
Patience serves us against insults precisely as clothes do against the cold. For if you multiply your garments as the cold increases, that cold cannot hurt you; in the same way increase your patience under great offenses, and they cannot hurt your feelings.
The smallest feline is a masterpiece.
For, verily, great love springs from great knowledge of the beloved object, and if you little know it, you will be able to love it only little or not at all.
It is a far worthier thing to read by the light of experience than to adorn oneself with the labors of others.
The poet, like the lover, is a menace on the assembly line.
I love films that make you feel something but also deliver that payload behind jokes.
I try to let go of the intellect and just tell the story. I only read the page I have in front of me on the screen. Then when the whole story is told, I print it, wait a week and read it.
A great artist is a great man in a great child.
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
I think the only person a writer has an obligation to is himself. If what I write doesn't fulfill something in me, if I don't honestly feel it's the best I can do, then I'm miserable.
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