You've got to keep fighting; you've got to risk your life every six months to stay alive.
Elia KazanRead
Miller didn't write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That's the measure of its merit.
Interpretation
This quote emphasizes the intrinsic creativity within an artist and the importance of expressing that creativity.
Elia Kazan's quote reflects the idea that true artistic works are not merely creations born out of labor but rather manifestations of the artist's inner self. The essence of genuine art lies in its release from the depths of the creator's imagination, suggesting that art is a reflection of oneβs identity and inherent ideas waiting to be expressed.
In practice
This quote can be shared during an art exhibit opening to highlight the creative process.
You've got to keep fighting; you've got to risk your life every six months to stay alive.
Acting... was the biggest charge I ever had. What other artist has it so good? Approval so quick?
I've come to believe that everything worth achieving is beyond one's capacity - or seems so at first. The thing is to persist, not back off, fight your fight, pay your dues, and carry on. Effort is all; continue and you may get there despite everything.
A good director's not sure when he gets on the set what he's going to do.
To be a member of the Communist Party is to have a taste of the police state. It is a diluted taste but it is bitter and unforgettable.
I've lost many of my best friends... I'm going to satisfy myself now, not the critics, not even my friends.
I've always known that I was born to sing, ever since I was a child.
Not surprisingly, he began to sing, and because no one in the world could hear him, and he sang without inhibition, he sang well.
There's something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically... I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous.
The camera need not be a cold mechanical device. Like the pen, it is as good as the man who uses it. It can be the extension of mind and heart.
The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading.
Films and hotels have many aspects that are the same. For example, there is always a big vision, an idea.
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