I knew a lot of girls who just wanted to be famous, and if that's your goal, that's awesome; that just wasn't enough for me.
LizzoRead
Minneapolis just embraced me. There are a lot of weirdos here. It's awesome, because I'm a weirdo. Thankfully, the city embraced me with open arms. A lot about Minneapolis helped carve my musicality and open my eyes. The whole town is so open-minded compared to like, you know, Texas.
Interpretation
The quote expresses gratitude for the acceptance and inspiration found in Minneapolis, which contrasts sharply with the speaker's experiences in Texas.
Lizzo shares her appreciation for Minneapolis, highlighting how the city's open-mindedness and acceptance of individuality have profoundly influenced her musicality and artistic expression. She recognizes the unique community of 'weirdos' that she identifies with, emphasizing the importance of being embraced for one's true self and how it can shape personal creativity.
In practice
This quote could be used in a motivational speech about finding one's place in the world.
I knew a lot of girls who just wanted to be famous, and if that's your goal, that's awesome; that just wasn't enough for me.
My mother and father taught me about black excellence and dynasty. They experienced racism personally, and when something like that happens to you and not around you, you develop a different perception than someone who has never experienced racism a day in their lives.
I'm not a girl who started getting into music and using my femininity to get attention. When I was getting into it, it was all pure skill.
I'm glad I'm a woman; I'm glad I'm a rapper because I get to speak to these people who did not get spoken for in this genre.
We've now got a whole generation of jazz musicians who have been brought up with hip-hop. We've grown up alongside rappers and DJs; we've heard this music all our life. We are as fluent in J Dilla and Dr Dre as we are in Mingus and Coltrane.
Rock and roll isn't a career or hobby - it's a life force ... it's just something I have to do.
Whenever I'm in Kansas City, I think back to all the jazz-blues greats who played the blues here - like Count Basie, Charlie Parker and Jay McShann. I watched those guys jam in different places and heard a lot of things - but I couldn't do what they did. They were too good.
There's no substitute for live work to keep a band together.
Hate is indeed self-destructive, and this is what real Hip Hop must avoid at all cost.
Nobody leaves this place without singing the blues.
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