It is a mistake for a sculptor or a painter to speak or write very often about his job. It releases tension needed for his work.
Interpretation
Artists should avoid excessive discussion about their work to maintain the creative tension necessary for their art.
Henry Moore suggests that for artists such as sculptors and painters, discussing their creative process can undermine the focus and intensity needed to create their artwork. By advocating for a more reserved approach to explaining their craft, he emphasizes the importance of preserving the energy and inspiration that drive artistic expression.
In practice
An artist sharing this quote during a gallery opening to explain his approach to creativity.
Recently I have been working in the country, where, carving in the open air, I find sculpture more natural than in a London studio, but it needs bigger dimensions. A large piece of stone or wood placed almost anywhere at random in a field, orchard, or garden, immediately looks right and inspiring.
I find in all the artists that I admire most a disturbing element, a distortion, giving evidence of a struggle . . . . In great art, this conflict is hidden, it is unresolved. All that is bursting with energy is disturbing - not perfect.
Between beauty of expression and power of expression there is a difference of function. The first aims at pleasing the senses, the second has a spiritual vitality which for me is more moving and goes deeper than the senses.
A work can have in it a pent-up energy, an intense life of its own, independent of the subject it may represent.
I have always liked drawing, when you draw you see things more intensely.
The secret of life is to have a task, something you devote your entire life to, something you bring everything to, every minute of the day for the rest of your life. And the most important thing is, it must be something you cannot possibly do.
Each book I've done somehow finds its own unique form, a specific way it has to be written, and once I find it, I stick with it.
If you make your living writing, and you can't write anything, it's over. It's very frightening.
In fact, most artists want to make things a bit more difficult for themselves as they go along, to challenge themselves.
Why has Scandinavia been producing such good thrillers? Maybe because their filmmakers can't afford millions for CGI and must rely on cheaper elements like, you know, stories and characters.
I think that the idea of having a different approach to every single one of my albums is so exciting to me. I never want to make the same record twice. Why do it? What's the point?
So vast is art, so narrow human wit.
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