Aretha with no goals, eternally single & one step soft of heaven/ let it be understood that she owns this melody along with her emotional diplomats & her earth & her musical secrets
Bob DylanRead
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
Interpretation
The quote emphasizes the importance of drawing inspiration from real life experiences and observations for creating art.
In this quote, Bob Dylan expresses that his creative process is rooted in the authenticity of real-life situations and subjects. By highlighting the various sources of inspiration—from live models to street scenes—Dylan underscores the value of genuine interaction with the world in the artistic endeavor, suggesting that true artistry is born from a deep connection to the real world and its diverse elements.
In practice
During an art exhibition, someone might use this quote to express the importance of real-life experiences in their artwork.
Aretha with no goals, eternally single & one step soft of heaven/ let it be understood that she owns this melody along with her emotional diplomats & her earth & her musical secrets
If I wasn't Bob Dylan, I'd probably think that Bob Dylan has a lot of answers myself.
Some formulas are too complex and I don't want anything to do with them.
I'm the oldest son of a crazy man, I'm in a cowboy band.
My songs are personal music, they're not communal. I wouldn't want people singing along with me. It would sound funny. I'm not playing campfire meetings. I don't remember anyone singing along with Elvis, Carl Perkins or Little Richard.
I wish that for just one time you could stand inside my shoes. You'd know what a drag it is to see you.
Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes.
As to the number of novels I've abandoned... I shudder to think. I have thrown away five completed novels, and that's a gruesome enough figure. But not necessarily a waste of effort.
To be honest, when I was writing these stories a million years ago, I never thought about movies at all one way or another. It would have seemed almost miraculous for these things to be movies someday. To me, they were just comic books that I hoped would sell so I could keep my job.
I carry my thoughts about me for a long time, often a very long time, before I write them down; meanwhile my memory is so faithful that I am sure never to forget, not even in years, a theme that has once occurred to me.
Whenever you listen to a piece of music, what you are actually doing is hearing the latest sentence in a very long story you’ve been listening to - all the pieces of music you’ve ever heard.
I never paint dreams or nightmares. I paint my own reality.
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