Socrates told us, "the unexamined life is not worth living." I think he's calling for curiosity, more than knowledge. In every human society at all times and at all levels, the curious are at the leading edge.
Roger EbertRead
You can have a movie with hardly any cuts, or very few cuts, that is fascinating, you can't take your eyes away from it... Look at some of the long takes in Citizen Kane.
Interpretation
Long takes in film can create a captivating experience for the audience.
In this quote, Roger Ebert emphasizes the power of long takes in cinema, suggesting that a film can maintain its audience's attention without rapid editing. He cites 'Citizen Kane' as an example, highlighting how the continuity of a single shot can enhance storytelling and engage viewers on a deeper level.
In practice
During a film analysis class, a teacher could use this quote to illustrate the effect of camera technique.
Socrates told us, "the unexamined life is not worth living." I think he's calling for curiosity, more than knowledge. In every human society at all times and at all levels, the curious are at the leading edge.
Vincent Gallo has put a curse on my colon and a hex on my prostate. He called me a 'fat pig' in the New York Post and told the New York Observer I have 'the physique of a slave-trader.' He is angry at me because I said his 'The Brown Bunny' was the worst movie in the history of the Cannes Film Festival... _x000D_ it is true that I am fat, but one day I will be thin, and he will still be the director of 'The Brown Bunny.'
I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.
Why do alcoholics begin down the same hazardous road day after day? They are in search of that elusive window of well-being that opens when you drink your way out of a hangover and aren't yet drunk all over again. The alcoholic's day consists of trying to keep that window open.
There are no guarantees. But there is also nothing to fear. We come from oblivion when we are born. We return to oblivion when we die. The astonishing thing is this period of in-between.
Parents and schools should place great emphasis on the idea that it is all right to be different. Racism and all the other 'isms' grow from primitive tribalism, the instinctive hostility against those of another tribe, race, religion, nationality, class or whatever. You are a lucky child if your parents taught you to accept diversity.
If contemporary artists sincerely seek to be original, unique, and new, they should begin by disregarding the notions of originality, individuality, and innovation: they are the cliches of our time.
In my limited experience, shows are like children. You can teach them manners and dress them in little sailor suits, but in the end, they're going to be who they're going to be.
I've yet to meet somebody who said, 'Your stories are so revolting I couldn't read them.'
You need to keep something for yourself. As a writer, I feel that even more strongly. I feel like I need to be able to freely observe the world. That's the way I like to move through the world; I don't need to be the focus of attention. If I am, it impairs my ability to write and to do what I do.
Whoever wishes to devote himself to painting should begin by cutting out his own tongue
Lord, heap miseries upon us yet entwine our arts with laughters low.
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