Socrates told us, "the unexamined life is not worth living." I think he's calling for curiosity, more than knowledge. In every human society at all times and at all levels, the curious are at the leading edge.
Roger EbertRead
You can have a movie with hardly any cuts, or very few cuts, that is fascinating, you can't take your eyes away from it... Look at some of the long takes in Citizen Kane.
Interpretation
Long takes in film can create a captivating experience for the audience.
In this quote, Roger Ebert emphasizes the power of long takes in cinema, suggesting that a film can maintain its audience's attention without rapid editing. He cites 'Citizen Kane' as an example, highlighting how the continuity of a single shot can enhance storytelling and engage viewers on a deeper level.
In practice
During a film analysis class, a teacher could use this quote to illustrate the effect of camera technique.
Socrates told us, "the unexamined life is not worth living." I think he's calling for curiosity, more than knowledge. In every human society at all times and at all levels, the curious are at the leading edge.
Vincent Gallo has put a curse on my colon and a hex on my prostate. He called me a 'fat pig' in the New York Post and told the New York Observer I have 'the physique of a slave-trader.' He is angry at me because I said his 'The Brown Bunny' was the worst movie in the history of the Cannes Film Festival... _x000D_ it is true that I am fat, but one day I will be thin, and he will still be the director of 'The Brown Bunny.'
I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.
Why do alcoholics begin down the same hazardous road day after day? They are in search of that elusive window of well-being that opens when you drink your way out of a hangover and aren't yet drunk all over again. The alcoholic's day consists of trying to keep that window open.
There are no guarantees. But there is also nothing to fear. We come from oblivion when we are born. We return to oblivion when we die. The astonishing thing is this period of in-between.
Parents and schools should place great emphasis on the idea that it is all right to be different. Racism and all the other 'isms' grow from primitive tribalism, the instinctive hostility against those of another tribe, race, religion, nationality, class or whatever. You are a lucky child if your parents taught you to accept diversity.
I write description in longhand because that's hardest for me and you're closer to the paper when you work by hand, but I use the typewriter for dialogue because people speak like a typewriter works.
It is in their 'good' characters that novelists make, unawares, the most shocking self- revelations.
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don't believe in yourself.
Couldn't imagine any other way of living, outside of books, outside my work. Which doesn't mean I am not interested in other things, of course - I am interested in many things. But the center, the crux, is always literature.
Every building is like a person. Single and unrepeatable.
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