So much of what blacks and women contend with is centered in how we view, and how the world views, our bodies. Gestures, voices, affect.
Interpretation
The quote reflects on the societal perceptions of race and gender, emphasizing how they affect self-image and identity.
Margo Jefferson's quote highlights the intricate relationship between societal views and individual self-perception, particularly for black individuals and women. It suggests that the ways in which our bodies are seen and judged by the world influence our personal experiences and identities, shaping how we navigate through life and how we express ourselves. This observation points to the broader implications of systemic biases and the importance of challenging and reshaping societal narratives.
In practice
In a discussion about body positivity and self-acceptance.
We talk about how we think, believe, suspect Michael Jackson treats children. We don't talk about how WE treat child stars. Child stars are abused by the culture. And what's more treacherous than when the rewards of child stardom issue from the abuse?_x000D_ Child stars are performers above all else. Whenever their triumps, they are going to make sure we see everyone of their scars. That's the final price of admission.
I think it's too easy to recount your unhappy memories when you write about yourself. You bask in your own innocence. You revere your grief. You arrange your angers at their most becoming angles.
Depression is so treacherous - it can be so alluring as well as punishing. After all, it's yours and yours alone - no one else can interfere with it.
I found literary idols in Adrienne Kennedy, Nella Larsen, and Ntozake Shange, writers who'd dared to locate a sanctioned, forbidden space between white vulnerability and black invincibility.
Black Power was really a major challenge to the social privileges and structures of the kind of privilege that I had grown up with. That whole belief... that you will only be able to advance if you are perfectly behaved, if you present yourself as what white people would consider an ideal of whiteness... all of that just began to burst open.
Like dancers with choreography or actors with scripts, jazz singers could take material that was known, even loved, then risk interpreting and revising it. They could conceal even as they revealed themselves. Inflection, timing and tonality were their language, at least as much as words.
Places seem to me to have some kind of memory, in that they activate memory in those who look at them.
We have to keep asking ourselves: 'What does it all mean? What is God trying to tell us? How are we called to live in the midst of all this?' Without such questions our lives become numb and flat.
We are condemned to kill time, thus we die bit by bit.
Loneliness and solitude are two different things. When you are lonely, it is easy to delude yourself into believing that you are on the right path. Solitude is better for us, as it means being alone without feeling lonely. But eventually it is best to find a person, the person who will be your mirror. Remember, only in another person's heart can you truly see yourself and the presence of God within you.
We no longer dare to believe in beauty and we make of it a mere appearance in order the more easily to dispose of it.
I care little in the existence of a heaven or hell; self respect does not allow me to guide my acts with an eye toward heavenly salvation or hellish punishment. I pursue the good in life because it is beautiful and attracts me; and shun the bad because it is ugly and repulsive. All our acts should originate from the spring of unselfish love, whether there be a continuation after death or not.
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