I made a wish on this tree years ago," Marco says. "What did you wish for?" Bailey asks. Marco leans forward and whispers in Bailey's ear. "I wished for her.
Erin MorgensternRead
There is so much that glows in the circus, from flames to lanterns to stars. I have heard the expression “trick of the light” applied to sights within Le Cirque des Reves so frequently that I sometimes suspect the entirety of the circus is itself a complex illusion of illumination” .
Interpretation
This quote reflects the enchanting and illusory nature of experiences, particularly in the context of a circus setting.
In this quote, Erin Morgenstern describes the circus as a place filled with captivating lights and illusions, suggesting that beauty and wonder often stem from our perception of reality. It highlights how experiences can be both magical and deceptive, evoking a sense of awe while leaving us questioning the authenticity of what we see and feel.
In practice
Sharing this quote during a discussion about art and illusion at a gallery opening.
I made a wish on this tree years ago," Marco says. "What did you wish for?" Bailey asks. Marco leans forward and whispers in Bailey's ear. "I wished for her.
I worry hope will crush me, the way love has so many times before. Are they so different, hope and love? O & E in the same place, half of the other in each word. Both swimming in unknowns. I’ve been through the big changes. These ones should seem easier in comparison, I should be more prepared, but they don’t and I’m not. Sometimes I feel like a broken-wing butterfly, clinging to a window screen. Afraid to let go. Afraid to stay. Wondering how much wing is enough to fly.
Good and evil are a great deal more complex than a princess and a dragon . . . is not the dragon the hero of his own story?
Trapped in silence, Marco traces apologies and adorations across Celia's body with his tongue. Mutely expressing all the things he cannot speak aloud. He finds other ways to tell her, his fingers leaving faint trails of ink in their wake. He savors every sound he elicits from her. The entire room trembles as they come together. And though there are a great many fragile objects contained within it, nothing breaks.
It is perhaps both a blessing and a curse that fictional worlds spring into my mind nearly fully formed and it takes quite a while to sift through everything to find the story.
Widge can see the past." Poppet says suddenly. "That's why his stories are so good." "The past is easier," Widget says. "It's already there." "In the stars?" Bailey asks. "No." Widget says. "On people. The past stays on you the way powdered sugar stays on fingers. Some people can get rid of it but it's still there, the events and t hings that pushed you to where you are now.
Recently I have been working in the country, where, carving in the open air, I find sculpture more natural than in a London studio, but it needs bigger dimensions. A large piece of stone or wood placed almost anywhere at random in a field, orchard, or garden, immediately looks right and inspiring.
What happens in a fantasy can be more involving than what happens in life, and thank goodness for that.
You have to appreciate the spiritual component of having an opportunity to do something as wondrous as writing. You should be practical and smart and you should have a good agent and you should work really, really hard. But you should also be filled with awe and gratitude about this amazing way to be in the world.
Everything we do is music." (Classical Composer)(From: 4'33")
The first thing a writer should be is - excited. He should be a thing of fevers and enthusiasms. Without such vigor, he might as well be out picking peaches or digging ditches; God knows it'd be better for his health.
For me, I try as much as possible to just think about being in the movie theatre, having the lights dim, and what would I want to see on the screen. That puts me in the frame of mind that made me want to be in the movie business to begin with.
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