Multiculturalism isn't just a buzzword; it's not just something to debate - I am multiculturalism.
Interpretation
Multiculturalism is an inherent part of identity and experience rather than just a concept to discuss.
In this quote, Riz Ahmed emphasizes that multiculturalism is not merely an abstract idea or a term for debate; instead, it is a fundamental aspect of his identity and existence. He suggests that living in a multicultural society shapes who he is and that it should be embraced as a vital part of our collective identity.
In practice
In a discussion about immigration policies, one might say, 'As Riz Ahmed puts it, 'I am multiculturalism,' highlighting the importance of diverse identities in our society.'
I get good references from a wide range of music. Something who's been a good influence in the last few years is Qawwali music. If you listen to a Qawwali singer like Aziz Mian - he's like James Brown. Qawwali is like Pakistani gospel-jazz. It's emotional, but it's also improvised, and it's all about that sacred-and-profane tightrope.
No one's of Pakistani origin in any British show. That's why every actor of color is here working in the States. It's true.
Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.
Being South Asian in the U.K. is like being Latino in the U.S., I would guess. It's a bit more hood. You see things; things happen. I was bouncing between worlds. You're acting from a very early age, when you have to code-switch like that. I'm a hybrid, a mongrel. I think many people live that life.
As a minority, no sooner do you learn to polish and cherish one chip on your shoulder than it's taken off you and swapped for another. The jewellery of your struggles is forever on loan, like the Koh-i-Noor diamond in the crown jewels.
I'm an actor. Since I was a teenager, I have had to play different characters, negotiating the cultural expectations of a Pakistani family, Brit-Asian rudeboy culture, and a scholarship to private school. The fluidity of my own personal identity on any given day was further compounded by the changing labels assigned to Asians in general.
Life is a terrible conflict, a grandiose and atrocious confluence. Hunting submerges man deliberately in that formidable mystery and therefore contains something of religious rite and emotion in which homage is paid to what is divine, transcendent, and in the laws of Nature.
A man's physical hunger does not prove that man will get any bread; he may die of starvation on a raft in the Atlantic. But surely a man's hunger does prove that he comes of a race which repairs its body by eating and inhabits a world where eatable substances exist. In the same way, though I do not believe (I wish I did) that my desire for Paradise proves that I shall enjoy it, I think it a pretty good indication that such a thing exists and that some men will.
Power is a trick. It lies where we believe it lies.
In a very real way, the poor are our teachers. They show us that peopleβs value is not measured by their possessions or how much money they have in the bank. A poor person, a person lacking material possessions, always maintains his or her dignity. The poor can teach us much about humility and trust in God.
We shall not weary, we shall not rest, as we stand guard at the entrance gates and the exit gates of life, and at every step along way of life, bearing witness in word and deed to the dignity of the human person-of every human person.
When the calamity we feared is already arrived, or when the expectation of it is so certain as to shut out hope, there seems to be a principle within us by which we look with misanthropic composure on the state to which we are reduced, and the heart sullenly contracts and accommodates itself to what it most abhorred.
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