Try to discover who I am from my choice of words and colors, as attentive people like yourselves might examine footprints to catch a thief.
Orhan PamukRead
A museum should not just be a place for fancy paintings but should be a place where we can communicate our lives through our everyday objects.
Interpretation
A museum is more than art; it's a space for sharing personal and cultural stories through everyday items.
In this quote, Orhan Pamuk argues that museums should serve as venues for deeper connections between people and their experiences, not just as showcases for esteemed artworks. By emphasizing everyday objects, he highlights how these items can reflect our lives, histories, and identities, thereby fostering communication and understanding among individuals and communities.
In practice
During an art class, to emphasize the importance of everyday items in understanding culture.
Try to discover who I am from my choice of words and colors, as attentive people like yourselves might examine footprints to catch a thief.
The beauty and mystery of this world only emerges through affection, attention, interest and compassion . . . open your eyes wide and actually see this world by attending to its colors, details and irony.
Where there is true art and genuine virtuosity the artist can paint an incomparable masterpiece without leaving even a trace of his identity.
It was in Cihangir that i first learned Istanbul was not an anonymous multitude of walled-in lives - a jungle of apartments where no one knew who was dead or who was celebrating what - but an archipelago of neighbourhoods in which everyone knew each other.
We had no desire to live in Istanbul, nor in Paris or New York. Let them have their discos and dollars, their skycrapers and supersonics transports. Let them have their radios and their color TV, hey, we have ours, don't we? But we have something they don't have. Heart. We have heart. Look, look how the light of life seeps into my very heart
These political movements flourish on the margins of Turkish society because of poverty and because of the people's feeling that they are not being represented.
I think 'accessible' just means that the reader can walk into the poem without difficulty. The poem is not, as someone put it, deflective of entry.
When people ask me if I went to film school I tell them, 'no, I went to films.'
Photography has become so fundamental to the way we see that 'photography' and 'seeing' are becoming more and more synonymous. The ubiquity of photography is, perhaps ironically, a challenge to curators, practitioners, and critics.
I wonder if I can write this history, or if on every page there will be some sneaking show of a bitterness I thought long dead. I think myself cured of all spite, but when I touch pen to paper, the hurt of a boy bleeds out with the sea-spawned ink, until I suspect each carefully formed black letter scabs over some ancient scarlet wound.
I love being onstage. I love the relationship with the audience. I love the letting go, the sense of discovery, the improvising.
It is in order to really see, to see ever deeper, ever more intensely, hence to be fully aware and alive, that I draw what the Chinese call 'The Ten Thousand Things' around me. Drawing is the discipline by which I constantly rediscover the world. I have learned that what I have not drawn, I have never really seen, and that when I start drawing an ordinary thing, I realize how extraordinary it is, sheer miracle.
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