My mentor was Clara Ward of the famous Ward gospel singers of Philadelphia. And my dad was my coach. He coached me. And just my natural love for music is what drove me.
Aretha FranklinRead
The music of ABBA is not that happy. It might sound happy, in some strange way, but deep within, it's not happy music. It has that Nordic melancholic feeling to it. What fools you is the girls' voices. You know, I do think that is one of the secrets about ABBA. Even when we were really quite sad, we always sounded jubilant.
Interpretation
ABBA's music may sound cheerful on the surface, but it often carries deeper feelings of sadness and melancholy.
Bjorn Ulvaeus reflects on the paradox of ABBA's music, where the upbeat melodies and vibrant vocal delivery may mask a more profound emotional depth characterized by sadness. This duality reveals a secret of their artistic expression, illustrating how the joy conveyed through music can sometimes contrast sharply with the underlying emotions of the artists.
In practice
Discussing ABBA's artistic approach in a music documentary.
My mentor was Clara Ward of the famous Ward gospel singers of Philadelphia. And my dad was my coach. He coached me. And just my natural love for music is what drove me.
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
When I was young and very green, I worte that tune, Sister Kate, and someone said that's fine, let me publish it for you. I'll give you fifty dollars. I didn't know nothing about papers, and business, and I sold it outright.
Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
I grew up with the Grand Ole Opry, Dottie West, Conway Twitty, Buck Owens... not realizing it was influencing me as much as it was.
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