Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Harper LeeRead
You don't get music in your daily life, do you? Even in a movie, it's unnatural to have music. I always feel it's unnatural. But I want to make it not unnatural, to construct reality in another sense.
Interpretation
Music can enrich our experiences and make them feel more real.
In this quote, Joe Hisaishi expresses his perspective on the role of music in everyday life. He suggests that while music may seem absent in the natural rhythm of daily experiences, it can be an important artistic element that enhances our perception of reality, particularly in storytelling and film. Hisaishi aims to create a world where music is seamlessly intertwined with reality, making experiences more vivid and emotionally resonant.
In practice
Using this quote during a film festival to highlight the importance of music in cinema.
Ladies bathed before noon, after their three o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Actors are the jockeys of literature. Others supply the horses, the plays, and we simply make them run.
The weapons an author has at her disposal are flawed. There are words that feel shapeless and overused. Love, for example. I could write the word love a thousand times and it would mean a thousand different things to different readers.
If a serious statement is defined as one that may be made in terms of waking life, poetry will never rise to the level of seriousness. It lies beyond seriousness, on that more primitive and original level where the child, the animal, the savage, and the seer belong, in the region of dream, enchantment, ecstasy, laughter. To understand poetry we must be capable of donning the child's soul like a magic cloak and of forsaking man's wisdom for the child's.
When I heard Little Richard, I mean, it just set my world on fire.
The poet is never inspired, because he is the master of that which appears to others as inspiration. He does not wait for inspiration to fall out of the heavens like roasted ortolans. He knows how to hunt...He is never inspired because he is unceasingly inspired, because the powers of poetry are always at his disposition, subjected to his will, submissive to his own activity.
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