I will follow my logic, no matter where it goes, after it has consulted with my heart. If you ever come to a conclusion without calling the heart in, you will come to a bad conclusion.
Robert Green IngersollRead
Music expresses feeling and thought, without language; it was below and before speech, and it is above and beyond all words.
Interpretation
Music communicates emotions and ideas that transcend spoken language.
This quote by Robert Green Ingersoll highlights the unique power of music as a universal language that conveys feelings and thoughts far more profoundly than words can. It suggests that music originated before spoken language and operates on a level that surpasses verbal communication, allowing for an emotional connection that words often fail to achieve.
In practice
In a speech about the impact of art on society, one might say, 'As Robert Green Ingersoll eloquently noted, music expresses feeling and thought, without language.'
I will follow my logic, no matter where it goes, after it has consulted with my heart. If you ever come to a conclusion without calling the heart in, you will come to a bad conclusion.
If the guardians of society, the protectors of 'young persons,' could have had their way, we should have known nothing of Byron or Shelley. The voices that thrill the world would now be silent.
The religion that has to be supported by law is without value, not only, but a fraud and a curse. The religious argument that has to be supported by a musket is hardly worth making.
There is no slavery but ignorance.
In all ages the people have honored those who dishonored them. They have worshiped their destroyers; they have canonized the most gigantic liars, and buried the great thieves in marble and gold. Under the loftiest monuments sleeps the dust of murder.
I believe that there is something far nobler than loyalty to any particular man. Loyalty to the truth as we perceive it - loyalty to our duty as we know it - loyalty to the ideals of our brain and heart - is, to my mind, far greater and far nobler than loyalty to the life of any particular man or God. . . .
My attempt has been really to, beyond making a record of contemporary life, which is what you inevitably do, is trying to make beautiful books - books that are in some way beautiful, that are models of how to use the language, models of honest feeling, models of care.
A story is a living thing, it moves and shifts.
The process I go through in the art and the architecture, I actually want it to be almost childlike. Sometimes I think it's magical.
Few sensible authors are happy discussing the creative process--it is, after all, black magic.
We read critics for the perceptions, for what they tell us that we didn't fully grasp when we saw the work. The judgments we can usually make for ourselves.
American writers ought to stand and live in the margins, and be more dangerous.
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