I don't want to make music that is hot now; I want to make music that is hot forever.
Interpretation
The quote emphasizes the desire to create timeless art rather than following fleeting trends.
Sam Smith expresses a commitment to producing music that endures over time, contrasting the ephemeral nature of current trends with the aspiration to leave a lasting impact. This reflects the idea that true artistry transcends momentary popularity, aiming instead for relevance across generations.
In practice
During a music workshop, one might use this quote to inspire emerging artists to focus on lasting quality in their work.
I'll be excited when I get my heart broken properly for the first time. I'll be like, 'Thank God I've experienced something. Someone wanted to kiss me.' That's when it's going to be interesting: When you break up, they're taking a piece with them.
It was only until I started to be myself that the music started to flow and people started to listen. So, thank you guys...
I'm a gay man who came out when I was 10 years old, and there's nothing in my life that I'm prouder of.
Hearing a whole entire room sing back to me, 'I guess it's true I'm not good at a one-night stand,' you know, I just can't explain the feeling. It's unreal. You feel like you've just read your diary to thousands of people and they've gone, 'It's okay. We still love you.'
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
The poetry of fashion lies in the creation of illusion
People have always heard voices. Sometimes they're called shamans, sometimes they're called mad, and sometimes they're called fiction writers. I always feel lucky that I live in a culture where fiction writing is legal and not seen as pathology.
I think of myself as a stylist, and stylists can become notoriously obsessed with the placing of a comma, the weight of a semicolon.
I believe in poetry as a way of surviving the emotional chaos, spiritual confusions and traumatic events that come with being alive.
Playwrights have texts, composers have scores, painters and sculptors have the residue of those activities, and dance is traditionally an ephemeral, effervescent, here-today-gone-tomorrow kind of thing.
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