You can grow up with literally nothing and you don’t suffer if you know you’re loved and valued.
Esperanza SpaldingRead
I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion.
Interpretation
Music deeply influences and is influenced by the visual culture we experience.
In this quote, Esperanza Spalding expresses the profound connection between music and the visual imagery that surrounds us in contemporary culture. She suggests that our experiences of music are often colored by the visual representations and preconceived notions we have, indicating that music does not exist in isolation but rather in a rich tapestry of cultural and visual contexts that shape our understanding and appreciation of it.
In practice
In a discussion on how visuals enhance music videos during a presentation.
You can grow up with literally nothing and you don’t suffer if you know you’re loved and valued.
I always say that the problem with jazz accessibility is not the content of the music, it's people's ability to access it.
There's nothing wrong with struggle. Anytime I look back at a difficult phase of my life and see what grew out of it - the creative survival tactics - I think that the good is way better than the bad.
I don't think it's about playing and singing, to be honest. That seems like old news, you know? I wasn't thinking about that. I just think that's in my body now. Dancers don't think about their legs moving one way and their arms moving another. Over time, you incorporate that into your instrument.
It's a pity that if someone who has a really profoundly potent art to share chooses not to or doesn't fit into this very thin slice of what's desirable and marketable, chances are the public will never get a chance to hear what they're doing.
When something in art or music piques my interest, I tend to go check it out, and most things I check out, I'm not very good at. But a few things I've gone to check out have given me back as much love as I gave them, usually much more.
All great films are a resolution of a conflict between darkness and light. There is no single right way to express yourself. There are infinite possibilities for the use of light with shadows and colors. The decisions you make about composition, movement and the countless combinations of these and other variables is what makes it an art.
I think of myself as a serious professor who, during the weekend, writes novels.
The page is long, blank, and full of truth. When I am through with it, it shall probably be long, full, and empty with words.
I think that when you decide to dedicate yourself to creative endeavors and surround yourself with people who are creative, you very quickly learn how hard it is to survive doing those kinds of things, not to mention make a living at them.
For a lot of people, well-meaning teaching has made poetry seem arcane, difficult, a kind of brown-knotting medicine that might be good for you but doesn't taste so good. So I tried to make a collection of poetry that would be fun. And that would bring out poetry as an art, rather than the challenge to say smart things.
Every writer has his writing technique - what he can and can't do to describe something like war or history. I'm not good at writing about those things, but I try because I feel it is necessary to write that kind of thing.
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