Rock and roll ain't nothing but jazz with a hard backbeat.
Keith RichardsRead
Music is a language that doesn’t speak in particular words. It speaks in emotions, and if it’s in the bones, it’s in the bones.
Interpretation
Music communicates emotions rather than just words, resonating deeply within us.
This quote by Keith Richards emphasizes the unique power of music as a universal language. Unlike spoken language, music conveys emotions that can be felt instinctively, connecting with us on a deeper level. The phrase 'if it’s in the bones' suggests that music deeply ingrains itself within our very being, transcending verbal expression.
In practice
In a school presentation about the impact of music on society, this quote could illustrate music's emotional connection.
Rock and roll ain't nothing but jazz with a hard backbeat.
Everyone talks about rock these days; the problem is they forget about the roll.
There's just certain styles of playing that you do play in your own way. Maybe it's in the way your fingers bend, for all I know. And so whenever you pick up the guitar it's not so much the sound of the instrument itself, it's like the ting that you add onto it-the attitude.
If you've gotta think about being cool, you ain't cool.
If you don't know the blues... there's no point in picking up the guitar and playing rock and roll or any other form of popular music.
There's something beautifully friendly and elevating about a bunch of guys playing music together. This wonderful little world that is unassailable. It's really teamwork, one guy supporting the others, and it's all for one purpose, and there's no flies in the ointment, for a while. And nobody conducting, it's all up to you. It's really jazz__that's the big secret. Rock and roll ain't nothing but jazz with a hard backbeat.
To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
To write something, you have to risk making a fool of yourself.
You have a strange relationship with calamity when you're a writer: you write about it; as an artist, you objectify and fetishize it. You render life into material, and that's a creepy thing to do.
The reasons that drive me to write are many and the most important are the most secret, I think. Perhaps most of all this: to put something out of death's reach.
Color is sensibility in material form, matter in its primordial state.
Your pictures would have been finished a long time ago if I were not forced every day to do something to earn money.
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