With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
Jean Michel JarreRead
I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
Interpretation
Music is like an elusive ideal that constantly seems just out of reach, no matter how close you feel you are to it.
In this quote, Jean Michel Jarre compares the pursuit of the perfect piece of music to a mirage in the desert, symbolizing the endless quest for an unattainable ideal. Just as one can be drawn towards a mirage, believing it to be within reach, artists and listeners alike can become obsessed with the notion of the perfect musical experience, only to find that it remains forever elusive and just beyond their grasp.
In practice
A musician could use this quote during an interview to express the nature of their creative process.
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
For me, electronic music is like cooking: it's a sensual organic activity where you can mix ingredients.
I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist vision - a Ravel/Debussy approach.
Saying that you don't care about the right to privacy because you have nothing to hide is no different than saying you don't care about freedom of speech because you have nothing to say.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
If music is to continue to support the livelihoods of artists, it cannot be taken without the permission of artists.
Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second, and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something, as in a dream.
My own physicality, not an abstract idea, makes me a choreographer.
We know there are poets who are chosen: by what or whom, we no more know than what lies beyond our final breath, or what caused a certain action which resulted in the fulfillment or the desecration and collapse of what we most cared for in life.
Speaking for myself, art differs from writing in that I never know what I'm going to paint until I paint it, so it's almost like automatic writing. A writer, on the other hand, can't help but know what he's going to write, because the activity demands a degree of premeditation.
Miraculously, smoke curled out of his own mouth, his nose, his ears, his eyes, as if his soul had been extinguished within his lungs at the very moment the sweet pumpkin gave up its incensed ghost.
Never are voices so beautiful as on a winter's evening, when dusk almost hides the body, and they seem to issue from nothingness with a note of intimacy seldom heard by day.
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