I just do my work, and I work every day, and my ambition is just to do something better than I last did.
Patti SmithRead
Music television is all about the media-oriented version of what it is to be a rock star; it's not about what Bob Dylan or Jimi Hendrix were about - which included great images, sure, but they had spiritual and political and revolutionary content, too.
Interpretation
The quote critiques how modern music television emphasizes superficiality over the deeper artistic messages present in legendary musicians' work.
Patti Smith highlights the difference between the modern portrayal of rock stars on music television and the more profound, politically and spiritually charged messages conveyed by artists like Bob Dylan and Jimi Hendrix. She argues that while great imagery is part of music, the true essence and impact of these artists lie in their revolutionary content that seeks to inspire change rather than merely entertain the audience.
In practice
This quote can be used in a speech about the evolution of music and its cultural impact.
I just do my work, and I work every day, and my ambition is just to do something better than I last did.
My small torrent of words dissipated into an elaborate sense of expanding and receding. It was my entrance into the radiance of imagination. This process was especially magnified within the fevers of influenza, measles, chickenpox, and mumps. I got them all and with each I was privileged with a new level of awareness. Lying deep within myself, the symmetry of a snowflake spinning above me, intensifying through my lids, I seized a most worthy souvenir, a shard of heaven’s kaleidoscope.
For everything bad, there's a million really exciting things, whether it's someone puts out a really great book, there's a new movie, there's a new detective, the sky is unbelievably golden, or you have the best cup of coffee you ever had in your life.
Eyeing the traffic circulating the lobby hung with bad art. Big invasive stuff unloaded on Stanley Bard in exchange for rent. The hotel is an energetic, desperate haven for scores of gifted hustling children from every rung of the ladder. Guitar bums and stoned-out beauties in Victorian dresses. Junkie poets, playwrights, broke-down filmmakers, and French actors. Everybody passing through here is somebody, if not in the outside world.
I've always felt outside of things; I've always felt different.
No matter what anybody thinks about any of them, every record I've done has been done with the same amount of care, anguish, pain, suffering, and joy.
I had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gill, and when walking through Fleet Street very homesick I heard a little tinkle of water and saw a fountain in a shop window which balanced a little ball upon its jet, and began to remember lake water. From the sudden remembrance came my poem Innisfree.
Fairy tales have always got to have something a bit scary for children - as long as you make them laugh as well.
I know the sag of the unfinished poem. And I know the release of the poem that is finished.
One of these poems I wrote after having been here only a month. The other, I wrote this morning. In the space between the two poems, I have found acres of grace
There is a force of exultation, a celebration of luck, when a writer finds himself a witness to the early morning of a culture that is defining itself, branch by branch, leaf by leaf, in that self-defining dawn, which is why, especially at the edge of the sea, it is good to make a ritual of the sunrise.
The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
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