For twenty-five centuries, Western knowledge has tried to look upon the world. It has failed to understand that the world is not for the beholding. It is for hearing. It is not legible, but audible.
Jacques AttaliRead
What is called music today is all too often only a disguise for the monologue of power. However, and this is the supreme irony of it all, never before have musicians tried so hard to communicate with their audience, and never before has that communication been so deceiving. Music now seems hardly more than a somewhat clumsy excuse for the self-glorification of musicians and the growth of a new industrial sector.
Interpretation
The quote criticizes modern music as a facade for power rather than genuine communication, despite musicians' efforts to connect with audiences.
Jacques Attali's quote reflects on the paradox of contemporary music, suggesting that while artists strive to engage with listeners, the essence of their communication has become tainted by commercialism and ego. Instead of serving as a true medium for expression, music is often reduced to a tool for self-aggrandizement and industry growth, undermining its original purpose of connection and emotional resonance.
In practice
This quote could be used in a speech about the evolution of music and its societal impact.
For twenty-five centuries, Western knowledge has tried to look upon the world. It has failed to understand that the world is not for the beholding. It is for hearing. It is not legible, but audible.
Repertory theater is all about being part of the whole, one of the many colors in this vast palette.
I'm not a builder of buildings, I'm a builder of collections.
I'm a musician, and I feel like musicians owe it to themselves and owe it to music to concern themselves with as much of music as interests them. Even if you decide that you're never going to compose, you will be a better performer if you concern yourself with the craft of composition.
Miraculously, smoke curled out of his own mouth, his nose, his ears, his eyes, as if his soul had been extinguished within his lungs at the very moment the sweet pumpkin gave up its incensed ghost.
There are certain sounds that I've found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
If I go into a studio and find my truth of the moment, there are a number of people in the world who can relate to what I'm saying and are going to buy into what I'm doing. Not because it's the new thing of the moment, but because it's genuine emotion. Its how I feel. This is how I articulate the world.
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