Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
Pat MethenyRead
There are musicians who go through their lives sort of shedding their skins. For me, I've always felt backward-compatible to Version 1.0.
Interpretation
Musicians often evolve over time, but some prefer to stay true to their original style.
In this quote, Pat Metheny reflects on the journey of musicians and how some choose to reinvent themselves, while he personally feels a connection to his earliest artistic expression. The notion of being 'backward-compatible' suggests a desire to maintain the essence of oneβs original self, even as the world and music continue to change around them.
In practice
In a speech about artistic integrity at a music festival.
Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
I can't really say enough about Chris Potter. He is one of the greatest musicians I have ever known, and every second I have been on the band stand with him has been an absolute pleasure.
I like poems that are daggers that sing. I like poems that for all the power of the sentiments expressed, and all the power to upset and offend, are so well made that theyβre achieved things. However much they upset you, they also affect you.
You know how some people write every day at a certain point? I'm not like that. I carry something around for a long time. I weigh the words and the sentences. I weigh the paragraphs. The process is much more meditative for me.
In the modern world, all literary art is necessarily political -- especially that which pretends not to be.
Invention, it must be humbly admitted, does not consist in creating out of a void, but out of chaos; the materials must in the first place be afforded; it can give form to dark, shapeless substances, but cannot bring into being the substance itself.
When I was building the Vietnam Memorial, I never once asked the veterans what it was like in the war, because from my point of view, you don't pry into other people's business.
The solitude of writing is a solitude without which writing could not be produced, or would crumble, drained bloodless by the search for something else to write.
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