You must pay the penalty of growing-up, Paul. You must leave fairyland behind you.
Interpretation
Growing up requires leaving behind the innocence and fantasies of childhood.
In this quote, Lucy Maud Montgomery emphasizes the inevitable transition from childhood to adulthood, where one must let go of the whimsical and fantastical elements of youth, often referred to as 'fairyland'. This process can be seen as both a loss and a necessary step towards maturity, signaling the responsibilities and realities that accompany adult life.
In practice
This quote could be shared during a graduation ceremony to motivate students as they embark on their adult lives.
A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth, though you won't think THAT a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it.
A house isn't a home without the ineffable contentment of a cat with its tail folded about its feet. A cat gives mystery, charm, suggestion.
Gilbert darling, don't let's ever be afraid of things. It's such dreadful slavery. Let's be daring and adventurous and expectant. Let's dance to meet life and all it can bring to us, even if it brings scads of trouble and typhoid and twins!" (Anne to Gilbert)
Youth is not a vanished thing but something that dwells forever in the heart.
I'm so glad I live in a world where there are Octobers.
She had dreamed some brilliant dreams during the past winter and now they lay in the dust around her. In her present mood of self-disgust, she could not immediately begin dreaming again. And she discovered that, while solitude with dreams is glorious, solitude without them has few charms.
There are only two tragedies in life: one is not getting what one wants, and the other is getting it.
Inventors don't have time for married life.
I was shy for several years in my early days in Hollywood until I figured out that no one really gave a damn if I was shy or not, and I got over my shyness.
To some extent, 'The Wall' is asking the question, 'Do you want a voice? And if you do, you better bloody well go out and get it because it's not going to be handed to you on a plate.'
To live your life in the fear of losing it is to lose the point of life.
We have moments of such clarity, of such appreciation of the incredible web of interconnected events that carry us from breath to breath, day to day, as long as we live-and the next moment we fret about how much we weigh. Or who we didn't send a Valentine. Or who forgot to compliment the dinner. Or whatever.
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