That is the mystery about writing: it comes out of afflictions, out of the gouged times, when the heart is cut open.
Interpretation
Writing often emerges from personal struggles and deep emotional pain.
Edna O'Brien emphasizes that the process of writing is deeply intertwined with human suffering and emotional turmoil. It suggests that profound experiences, especially those that are painful or challenging, can lead to the creation of art, as writers channel their afflictions into their work, revealing the intricate relationship between personal hardship and creativity.
In practice
In a speech about the importance of art, one might reference this quote to highlight how personal struggles can inspire great creativity.
Love . . . is like nature, but in reverse; first it fruits, then it flowers, then it seems to wither, then it goes deep, deep down into its burrow, where no one sees it, where it is lost from sight, and ultimately people die with that secret buried inside their souls.
Cities, in many ways, are the best repositories for a love affair. You are in a forest or a cornfield, you are walking by the seashore, footprint after footprint of trodden sand, and somehow the kiss or the spoken covenant gets lost in the vastness and indifference of nature. In a city there are places to remind us of what has been.
Darkness is drawn to light, but light does not know it; light must absorb the darkness and therefore meet its own extinguishment.
Oh, love, what an unreasoning creature it grew to be.
Recollection is not something that I can summon up, it simply comes and I am the servant of it.
It was the first time that I came face to face with madness and feared it and was fascinated by it.
Sometimes when I sit down to practice and there is no one else in the room, I have to stifle an impulse to ring for the elevator man and offer him money to come in and hear me.
Fiction is the truth inside the lie.
It is the task of the translator to release in his own language that pure language that is under the spell of another, to liberate the language imprisoned in a work in his re-creation of that work.
Designers may be the true intellectuals of the future.
Over time, I have come to see the work of literature less as narrating the world than "seeing the world with words." From the moment he begins to use words like colors in a painting, a writer can begin to see how wondrous and surprising the world is, and he breaks the bones of language to find his own voice. For this he needs paper, a pen, and the optimism of a child looking at the world for the first time.
People don't remember me for how high my legs went, even though they went up very high, and how many pirouettes I did. They don't remember me for that. They remember me and any other dancer because something touched them inside. It's an indelible memory on the heart and in the mind.
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