When I die, they'll bury the blues with me. But the blues will never die.
John Lee HookerRead
They wasn't gonna give you nothin'. I didn't care as long as they let me play my music. Cash on the spot... You cheat me and I'm gonna get me some money, too.
Interpretation
This quote expresses the idea of valuing personal expression over material gain and acknowledging the tough realities of life.
John Lee Hooker's quote reflects the struggles faced as an artist and the determination to pursue one's passion despite the obstacles. It highlights the importance of artistic freedom and the willingness to stand up for oneself in the face of unfairness, suggesting that one should always prioritize what they love—like music—over the challenges posed by others.
In practice
In a speech at an artist's rally to inspire creativity.
When I die, they'll bury the blues with me. But the blues will never die.
The blues tells a story. Every line of the blues has a meaning.
Like you and your woman ain't gettin' along and you're in love. You can't sleep at nights. Your mind is on her - on whatever. You know, that's the blues. You can't hug that money at night. You can't kiss it.
I don't play a lot of fancy guitar. I don't want to play it. The kind of guitar I want to play is mean, mean licks.
You can go to Europe, and there's no turnin' back - any parts of Europe. Wherever you are, there is no stop and go for the blues. The blues go but it don't stop.
I don't think about time. You're here when you're here. I think about today, staying in tune.
Dialogue is what a character's willing to share and reveal to another character, and the 90% they aren't willing to share is what I do for a living.
My fashion is part of who I am, and though I was not born with these clothes on, I was born this way.
I don't think any movie or any book or any work of art can solve the stalemate in the Middle East today. But it's certainly worth a try.
Footballers can be like artists when the mind and body are working as one. It is what Miles Davis does when he plays free jazz - everything pulls together into one intense moment that is beautiful.
There is a word, in a verb, something sacred which forbids us from using it recklessly. To handle a language cunningly is to practice a kind of evocative sorcery.
If something comes along that is totally outside of horror, fine, but I find there's an immense amount of freedom within the genre.
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