My parents are both college professors, and it made me want to question authority, standards and traditions.
Maya LinRead
I started studying what the nature of a monument is and what a monument should be. And for the World War III memorial I designed a futile, almost terrifying passage that ends nowhere.
Interpretation
This quote reflects on the concept of monuments and their purpose, emphasizing the profound emotions and thoughts a memorial can evoke.
Maya Lin explores the concept of monuments through her design for a World War III memorial, describing it as a 'futile, almost terrifying passage that ends nowhere.' This suggests that monuments are not just physical structures, but rather complex symbols that provoke deep contemplation about loss, memory, and the futility of war, encouraging viewers to engage with the ideas of absence and continuation in the face of tragedy.
In practice
This quote can be used in a discussion about the importance of art in commemorating historical events.
My parents are both college professors, and it made me want to question authority, standards and traditions.
I try to give people a different way of looking at their surroundings. That's art to me.
How we are using up our home, how we are living and polluting the planet is frightening. It was evident when I was a child. It's more evident now.
Sometimes you have to stop thinking. Sometimes you shut down completely. I think that's true in any creative field.
A lot of my works deal with a passage, which is about time. I don't see anything that I do as a static object in space. It has to exist as a journey in time.
When I was building the Vietnam Memorial, I never once asked the veterans what it was like in the war, because from my point of view, you don't pry into other people's business.
All the dancer's gestures are signs of things, and the dance called rational, because it aptly signifies and displays something over and above the pleasure of the senses.
Landscape is to American painting what sex and psychoanalysis are to the American novel.
As the beautiful does not exist for the artist and poet alone—though these can find in it more poignant depths of meaning than other men—so the world of Reality exists for all; and all may participate in it, unite with it, according to their measure and to the strength and purity of their desire.
When I make chairs, they have legs; they can go anywhere in the world. Interiors are a different responsibility. A house is a representation of where you are, and it has to be right for the place.
The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the starts.
There is always a subjective aspect in landscape art, something in the picture that tells us as much about who is behind the camera as about what is in front of it.
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