Nothing came easy. I was just born with a need to explore every part of my mind. And with long searching and hard work, I became devoted to my restlessness.
Gordon ParksRead
And I think that after nearly 85 years upon this planet that I have a right after working so hard at showing the desolation and the poverty, to show something beautiful for somebody as well.
Interpretation
Gordon Parks reflects on his lifelong work, emphasizing the importance of showcasing beauty alongside the harsh realities of life.
In this quote, Gordon Parks articulates his belief that after decades of documenting the struggles of poverty and desolation, it is equally important to depict beauty as a form of balance and hope. He suggests that art should not only reveal hardship but also celebrate joyous and beautiful moments, providing viewers with a fuller, more nuanced understanding of the human experience.
In practice
In a speech on social justice, one could use this quote to highlight the significance of representing both struggle and beauty in the arts.
Nothing came easy. I was just born with a need to explore every part of my mind. And with long searching and hard work, I became devoted to my restlessness.
I suffered evils, but without allowing them to rob me of the freedom to expand.
You know, the camera is not meant just to show misery.
If you don't have anything to say, your photographs aren't going to say much.
The camera could be a very powerful instrument against discrimination, against poverty, against racism.
I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. I knew at that point I had to have a camera.
It's not that I sit down and write great stuff without thinking, not at all. Most of it is terrible. But the stuff that feels fun and fresh to me tends to happen fairly unthinkingly.
How many of the original songs survive intact from the slave cabins? Probably not many in their original form. Time has transformed them like light in a prism. What we hope to present is a version of those spirituals, and they speak not just to black Americans, but to people worldwide.
To make films, you have to have something to say. To have something to say, you have to be a student of life. And to be a student of life, you have to be feeding yourself with what life, politics, society, and your family fuels you with.
Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
A folk song is what's wrong and how to fix it or it could be _x000D_ who's hungry and where their mouth is or _x000D_ who's out of work and where the job is or _x000D_ who's broke and where the money is or _x000D_ who's carrying a gun and where the peace is.
Dogmatism of all kinds--scientific, economic, moral, as well as political--are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyer of our nicely ordered systems. (p. 76)
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