I am performing this role of the artist and this role of the 'negress' coming into a white-box institution. It's kind of a self-appointed role: the self-designated negress.
Kara WalkerRead
I never learned how to be adequately black. I never learned how to be black at all.
Interpretation
What this quote means
The quote reflects a struggle with understanding one's own racial identity and the complexities that come with it.
Kara Walker's quote expresses a profound sense of alienation from her own racial identity, suggesting that the societal expectations and cultural narratives surrounding what it means to be black are inadequately defined or inaccessible to her. This may point to a broader commentary on race, identity, and the personal challenges individuals face in reconciling their self-perception with societal labels and constructs, emphasizing the need for more genuine understanding and acceptance of diverse identities.
Themes
IdentityRaceSelf-PerceptionAlienationCultural Narrative
In practice
Example use cases
In a discussion on racial identity during a seminar.
More from Kara Walker
All quotes →There's no diploma in the world that declares you as an artist—it's not like becoming a doctor. You can declare yourself an artist and then figure out how to be an artist.
Kara WalkerRead
I didn’t want a completely passive viewer. Art means too much to me. To be able to articulate something visually is really an important thing. I wanted to make work where the viewer wouldn’t walk away; he would giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful
Kara WalkerRead
Sugar crystallizes something in our American Soul. It is emblematic of all Industrial Processes. And of the idea of becoming white. White Being equated with pure and ‘true’ it takes a lot of energy to turn brown things into white things. A lot of pressure.
Kara WalkerRead
I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
Kara WalkerRead
It feels like a game, this work I do. It is totally heartfelt, and I love the sticky terrain, the straight-up cartoons, how the irrepressible and icky rise to the surface. But I am not just trying to call forth bugaboos and demons for the sake of it, for fun.
Kara WalkerRead
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Part of me always felt like the other, the outsider, the observer. My father had two sons with his second wife, who I didn't meet until my late 20s. I was always on the periphery. In Madrid, I was the only Turk in a very international school, so I had to start thinking about identity. All these things affected me.
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For a while, I was feeling like I was always playing characters that weren't specifically Korean or specifically Asian, even - that they were characters who were originally written white, and then they would cast me. And I used to consider that a badge of honor because that meant I had avoided stereotypes.
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I must identify myself with Africa. Then I will have an identity.
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