I never paid attention to what was contemporary or what was commercial, it didn't mean anything to me.
Interpretation
The quote expresses a disregard for trends and commercial success in favor of personal authenticity and artistic integrity.
In this quote, Van Morrison reflects on his approach to art, indicating that he prioritizes his personal vision and creativity over contemporary trends or commercial pressures. This stance suggests that true artistry stems from a genuine connection to one's own values and expressions, rather than conforming to what is popular or financially driven.
In practice
During an art exhibition, one might use this quote to emphasize the importance of individual expression in artworks.
Well, it's a marvelous night for a Moondance_x000D_ _x000D_ With the stars up above in your eyes..._x000D_ _x000D_ And I'm trying to please to the calling_x000D_ _x000D_ Of your heart-strings that they play soft and low_x000D_ _x000D_ And all the night's magic seems to whisper and hush_x000D_ _x000D_ And all the soft moonlight seems to shine in your blush..._x000D_ _x000D_ One more Moondance with you in the moonlight_x000D_ _x000D_ On a magic night
I write songs. Then I record them. And later, maybe I perform them on stage. That's what I do. That's my job. Simple. I don't feel comfortable doing interviews. My profession is music, and writing songs. I like to do it, but I hate to talk about it...Music is spiritual. The music business is not. Being famous was extremely disappointing for me. When I became famous it was a complete drag and it is still a complete drag.
Music is spiritual. The music business is not.
Let go into the mystery_x000D_ Let yourself go_x000D_ You've got to open up your heart_x000D_ That's all I know_x000D_ Trust what I say and do what you're told_x000D_ Baby, and all your dirt will turn_x000D_ Into gold.
I'm very lucky, I'm happy with life because my experiences led me to do what I had to do. I don't have any regrets whatsoever.
I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.
I have learned that there lies dormant in the souls of all men a penchant for some particular musical instrument an an unsuspected yearning to play on it, which are bound to wake up an demand attention someday. Therefore you who rail at such that disturb your slumbers with unsuccessful and demoralizing attempts to subjugate a guitar, beware! For sooner or later your own time will come.
We need to take music out of the ivory tower - both for musicians and for the public. Otherwise, classical music will not survive the 21st century.
The main purpose of my work is to provoke people into using their imagination. Most people spend their lives in dreary, grey-beige conformity, mortally afraid of using colours. By experimenting with lighting, colours, textiles and furniture and utilizing the latest technologies, I try to show new ways to encourage people to use their phantasy and make their surroundings more exciting.
What are our conductors giving us year after year? Only fresh corpses. Over these beautifully embalmed sonatas, toccatas, symphonies and operas the public dance the jitterbug. Night and day without let the radio drowns us in a hog-wash of the most nauseating, sentimental ditties. From the churches comes the melancholy dirge of the dead Christ, a music which is no more sacred than a rotten turnip.
None of my other investments give me the joy that autographs do because they make me feel that I am holding a piece of history in my hands.
Technique does not constitute art. Nor is it a vague, fuzzy romantic quality known as ‘beauty,’ remote from the realities of everyday life. It is the depth and intensity of an artist’s experience that are the first importance in art.
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