The combination of human skills with technology will always be at the root of any solution to the future of making clothes.
Issey MiyakeRead
I never thought fashion was the job for me, because I'm Japanese. Clothes! That was a European, society thing.
Interpretation
Issey Miyake reflects on his perception of fashion as a European domain rather than a Japanese one.
In this quote, Issey Miyake expresses his initial belief that fashion was not a suitable career for him due to his Japanese identity. He contrasts the cultural perception of clothing as a primarily European pursuit, highlighting his struggle to reconcile his cultural background with his passion for fashion, ultimately showcasing the intersection of identity and creativity in the art of design.
In practice
In a discussion about cultural influences in fashion, one might quote Issey Miyake to highlight the intersection of identity and creativity.
The combination of human skills with technology will always be at the root of any solution to the future of making clothes.
A-POC respects that there is a fine balance between the value of the human touch, which can be called artisanal, and the abilities of technology. I like to think of it as poesy and technology.
My touchstone started out being - and is still - exploring the ways by which to make clothing from a single piece of cloth.
In Paris, we call the people who make clothing 'couturiers' - they develop new clothing items - but actually, the work of designing is to make something that works in real life.
From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh
The reason I play music is to touch people - for selfish reasons, as well. It feels good to make someone else feel something, whether it's a kiss, a painting, good idea or it's a song.
The best book, like the best speech, will do it all - make us laugh, think, cry and cheer - preferably in that order.
People like Dick Gregory, Paul Robeson, Harry Belafonte and Nina Simone show me what the definition of an artist is - it isn't just to make art but to speak truth to what's happening, speak beauty into the world, speak love into the world and also... get involved.
With this mistake I deprived myself of the possibility to make a contribution to the treasury of chess art.
I want to tell a story that makes the reader always want to see what will happen next.
There is rarely a creative man who does not have to pay a high price for the divine spark of his greatest gifts... the human element is frequently bled for the benefit of the creative element and to such an extent that it even brings out the bad qualities, as for instance, ruthless, naive egoism (so-called "auto-eroticism"), vanity, all kinds of vices-and all this in order to bring to the human I at least some life-strength, since otherwise it would perish of sheer inanition.
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