They are all alike you know. They hold their tongues for years and you think you're safe, but when the opportunity comes they remember everything.
Edith WhartonRead
I have never known a novel that was good enough to be good in spite of its being adapted to the author's political views.
Interpretation
The quote suggests that a novel's quality can be compromised by the author's political agenda.
Edith Wharton's quote reflects the idea that when an author's political views dominate a narrative, it can detract from the overall quality of the novel. She implies that a truly great story should transcend the author's biases and resonate with readers on a more universal level, highlighting the potential conflict between art and ideology in literature.
In practice
During a book club discussion about the impact of an author's beliefs on their work.
They are all alike you know. They hold their tongues for years and you think you're safe, but when the opportunity comes they remember everything.
They seemed to come suddenly upon happiness as if they had surprised a butterfly in the winter woods
Set wide the window. Let me drink the day.
And I wonder, among all the tangles of this mortal coil, which one contains tighter knots to undo, & consequently suggests more tugging, & pain, & diversified elements of misery, than the marriage tie.
As he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. 'After that I suppose we shall have pretty nearly finished rubbing off each otherβs angles,' he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose sharpness he most wanted to keep
There are two ways to spread happiness; either be the light who shines it or be the mirror who reflects it.
Not every novel that wants to be a tragedy gets to be one.
Literature overtakes history, for literature gives you more than one life. It expands experience and opens new opportunities to readers.
After I had my son I looked everywhere for a book that might serve as some kind of mirror. I bought so many silly books. Now I see what the problem was: I wanted a book about time-about mortality. I can't think of a writer who is at once so experimentally daring and so rigorously uncompromising as Sarah Manguso. Ongoingness is an incredibly elegant, wise book, and I loved it.
Sentences must stir in a book like leaves in a forest, each distinct from each despite their resemblance.
I think that most of us, anyway, read these stories that we know are not "true" because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself. --From the Introduction
The profession of book writing makes horse racing seem like a solid, stable business.
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