There is a dark side in all of us. And for us 'bad' people, the bad side dominates. I think there is a great sadness in villains, and I have tried to put that across. We cannot stop ourselves doing what we are doing.
Christopher LeeRead
I am never going to stop playing the villain. I would be foolish to do so because the audiences apparently enjoy watching me, and who am I to say no?
Interpretation
The speaker embraces their role as a villain, acknowledging the audience's enjoyment of it.
In this quote, Christopher Lee expresses his commitment to his villainous roles in film and theatre, recognizing that his performances resonate with audiences. He conveys an understanding that his portrayal of villains brings joy to viewers, and he feels a sense of obligation to continue in this capacity, illustrating the complex relationship between an artist and their audience.
In practice
Using this quote at a film festival to discuss the importance of character roles in storytelling.
There is a dark side in all of us. And for us 'bad' people, the bad side dominates. I think there is a great sadness in villains, and I have tried to put that across. We cannot stop ourselves doing what we are doing.
Before 'Lord of the Rings,' some people would have just classed Peter Jackson as a horror director. But there is a mind there.
The thing I have always tried to do is surprise people: to present them with something they didn't expect.
Every actor has to make terrible films from time to time, but the trick is never to be terrible in them.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
I think acting is a mixture of instinct, imagination and inventiveness. All you can learn as an actor is basic technique.
I said Yo Jay, I can rap. And I spit this rap that said I'm killin' ya'll *****s on this lyrical sh*t, mayonnaise colored benz, I push miracle whips.
Music may be the activity that prepared our pre-human ancestors for speech communication and for the very cognitive, representational flexibility necessary to become humans.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
I can work on a verse for a very long time before realising it's not any good and then, and only then, can I discard it.
I had to say to myself, 'I haven't written enough about blackness, yet it's part of my consciousness and my lived experience.' I had to get over that anxiety of 'I haven't done this before.'
The only thing that's important is the legend created by the picture, and not whether it continues to exist itself.
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