Just as a new scientific discovery manifests something that was already latent in the order of nature, and at the same time is logically related to the total structure of the existing science, so the new poem manifests something that was already latent in the order of words.
Interpretation
The quote suggests that new poems reveal ideas that already exist in language, much like scientific discoveries unveil hidden truths in nature.
Northrop Frye's quote draws an analogy between the emergence of new scientific discoveries and the creation of new poetry. He implies that just as science uncovers latent truths within the natural world, poetry unveils deeper meanings that were always present within language itself. Both phenomena are interconnected with existing frameworks, reinforcing the idea that innovation is often rooted in prior knowledge and structure.
In practice
This quote could be used in a discussion about the creative process in poetry during a literature class.
A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send checks to radio stations for the relief of suffering heroines in soap operas.
The Bible is not interested in arguing, because if you state a thesis of belief you have already stated it's opposite; if you say, I believe in God, you have already suggested the possibility of not believing in him. [p.250]
Literature is a human apocalypse, man's revelation to man, and criticism is not a body of adjudications, but the awareness of that revelation, the last judgement of mankind.
To bring anything really to life in literature we can't be lifelike: we have to be literature-like
The world of literature is a world where there is no reality except that of the human imagination.
We do not live in a centred space any more, but have to create our own centres.
It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings--his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.
You do the best job you can. You take it step by step. It's hard enough to make a movie. If it works, that's great. If it means something beyond the moment to somebody, they can take it and it lasts through the years, we'll see.
There is more beauty than our eyes can bear, precious things have been put into our hands and to do nothing to honor them is to do great harm.
Unfortunately many young writers are more concerned with fame than with their own work... It's much more important to write than to be written about.
I like to think of photographing as a two-way act of respect. Respect for the medium, by letting it do what it does best, describe. And respect for the subject, by describing it as it is. A photograph must be responsible to both.
In New York, a 13-year-old Indian girl came up to me crying, saying to everyone nearby, 'This is where I come from.' It's easy to forget that actors have the ability to instill a sense of self in viewers. That's the greatest compliment.
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