It seems that fighting is a game where everybody is the loser.
Zora Neale HurstonRead
Night came walking through Egypt swishing her black dress.
Interpretation
This quote personifies night, suggesting a sense of mystery and beauty associated with it.
In this quote, Zora Neale Hurston uses vivid imagery to portray night as a graceful figure moving through the landscape of Egypt. The personification of night, dressed in a 'black dress,' evokes feelings of elegance and allure, inviting reflection on the transition from day to darkness and the unique atmosphere that night brings.
In practice
During a poetry reading, one might quote Hurston to illustrate the power of imagery in literature.
It seems that fighting is a game where everybody is the loser.
Lack of power and opportunity passes off too often for virtue.
From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloomβ¦It was like a flute song forgotten in another existence and remembered again. What? How? Why? This singing she heard that had nothing to do with her ears. The rose of the world was breathing out smell. It followed her through all her waking moments and caressed her in her sleep.
Someone is always at my elbow reminding me that I am the granddaughter of slaves. It fails to register depression with me.
Don't you realize that the sea is the home of water? All water is off on a journey unless it's in the sea, and it's homesick, and bound to make its way home someday.
Two things everybody's got tuh do fuh theyselves. They got tuh go tuh God, and they got tuh find out about livin' fuh theyselves.
Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.
The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
Each morning my characters greet me with misty faces willing, though chilled, to muster for another day's progress through the dazzling quicksand the marsh of blank paper.
The stronger the participation of the female characters, the better the movie. They knew that in the old days, when women stars were equally as important as men.
Never resist a sentence you like, in which language takes its own pleasure and in which, after having abused it for so long, you are stupefied by its innocence.
Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
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