However much you feed a wolf, it always looks to the forest. We are all wolves of the dense forest of Eternity.
Marina TsvetaevaRead
Who sleeps at night? No one is sleeping. In the cradle a child is screaming. An old man sits over his death, and anyone young enough talks to his love, breathes into her lips, looks into her eyes.
Interpretation
This quote reflects on the universal experiences of life, love, and mortality during the night.
Marina Tsvetaeva's quote captures the profound activities that unfold at night, illustrating that sleep is overshadowed by the intense emotions and experiences of life. While a child might cry, representing the innocence and beginnings of life, the old man's contemplation of death signifies the inevitable end, and the passion of the young speaks to the love and connection that invigorates existence, reminding us that even in darkness, life flourishes with emotion.
In practice
This quote can be shared during a discussion on the complexities of life during a poetry reading.
However much you feed a wolf, it always looks to the forest. We are all wolves of the dense forest of Eternity.
How quiet the writing, how noisy the printing.
There are books so alive that you're always afraid that while you weren't reading, the book has gone and changed, has shifted like a river; while you went on living, it went on living too, and like a river moved on and moved away. No one has stepped twice into the same river. But did anyone ever step twice into the same book?
When doctors tell you that you have three weeks to live, you try to live a lifetime of moments in three weeks. But you say, 'To hell with three weeks.'
I don’t think of work as work and play as play. It’s all living.
It is often said that New York is a city for only the very rich and the very poor. It is less often said that New York is also, at least for those of us who came there from somewhere else, a city for only the very young.
My mother begged doctors to end her life. She was beyond the physical ability to swallow enough of the weak morphine pills she had around her. When she knew she was dying I promised to make sure she could go at a time of her choosing, but it was impossible. I couldn't help.
And what does it matter when light enters the room where a child sleeps and the waking mother, opening her eyes, wishes more than anything to be unwakened by what she cannot name?
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
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