The wounds were burning like suns at five in the afternoon, and the crowd broke the windows At five in the afternoon. Ah, that fatal five in the afternoon! It was five by all the clocks! It was five in the shade of the afternoon!
The night below. We two. Crystal of pain. You wept over great distances. My ache was a clutch of agonies over your sickly heart of sand.
Interpretation
What this quote means
The quote reflects deep emotional connection and pain in a relationship.
In this quote, Federico Garcia Lorca expresses the profound sorrow and empathy that can exist between two individuals in love. The imagery of tears, distances, and aching hearts suggests that both partners experience emotional turmoil, illustrating how love can be intertwined with suffering and a deep understanding of each other's pain. This poignant portrayal emphasizes the complexities of love and the intimate bond shared between lovers, even in their shared hardship.
Themes
In practice
Example use cases
In a discussion about the complexities of relationships, this quote can illustrate how deep love often involves shared pain.
More from Federico Garcia Lorca
All quotes βThere is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rain's tresses and shine their three thousand swords through the soft swan of the fog.
The poem, the song, the picture, is only water drawn from the well of the people, and it should be given back to them in a cup of beauty so that they may drink - and in drinking understand themselves.
Death laid its eggs in the wound
The two elements the traveler first captures in the big city are extra human architecture and furious rhythm. Geometry and anguish.
New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world's greatest lie. New York is Senegal with machines.
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Coming near him like a ballet dancer she took a leap towards him, and he, frightened by her vehemence, and fearing that she would crash against him, instinctively became absolutely rigid, and she felt herself embracing a statue.