To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed.
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
Interpretation
What this quote means
This quote compares writing nonfiction to sculpting and writing novels to painting, highlighting the different creative processes involved.
Joan Didion illustrates the contrasting nature of writing nonfiction and fiction through artistic metaphors. She asserts that nonfiction involves a careful shaping of research into a cohesive whole, much like a sculptor works with materials to create a finished piece. In contrast, writing novels resembles the fluidity of painting, where each decision impacts the overall piece, emphasizing the inherent uniqueness of each stroke yet allowing for revisions without erasing the original essence.
Themes
In practice
Example use cases
This quote is perfect for a writers' workshop discussing the creative process.
More from Joan Didion
All quotes βThe truth is, it's easier for me to write than talk... to express the state I'm in at any time.
Memories are what you no longer want to remember.
It was clear, for example, in 1988 that the political process had already become perilously remote from the electorate it was meant to represent.
I mean maybe I was holding all the aces, but what was the game?
Do not whine... Do not complain. Work harder. Spend more time alone.
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I can see myself as a very old man in a terrific wheelchair. Only, I won't be photographing the tree outside my window, the way Steichen did. I'll be photographing other old people.
Certainly there is, for the American Negro artist who can escape the restrictions the more advanced among his own group would put upon him, a great field of unused material ready for his art.
There is only one true thing: instantly paint what you see. When you've got it, you've got it. When you haven't, you begin again. All the rest is humbug.
Of the thousands of people, celebrated and unknown, who have sat before my camera, I am often asked who was the most difficult subject, or the easiest, or which picture is my favorite. This last question is like asking a mother which child she likes the most