Children are given Mozart because of the small quantity of the notes; grown-ups avoid Mozart because of the great quality of the notes.
Artur SchnabelRead
I don't think I handle the notes much differently from other pianists. But the pauses between the notes - ah, there is where the artistry lies!!
Interpretation
The artistry in music is found not just in the notes played, but in the spaces and pauses between them.
Artur Schnabel's quote emphasizes that true musical expression extends beyond the technical execution of notes; it dwells in the silence and the pauses that give meaning and depth to a performance. The ability to interpret and manipulate these moments of silence is what distinguishes great musicians from the ordinary, highlighting the importance of emotional expression in art.
In practice
During a music class, to explain the importance of pauses, this quote can inspire students to appreciate silence in their performances.
Children are given Mozart because of the small quantity of the notes; grown-ups avoid Mozart because of the great quality of the notes.
I still feel like I have a lot to learn in the realm of sound experimentation, and I think I would like things to get noisier and weirder and more distressed and more aggressive, but I don't know if that's something that would be suitable for public consumption.
I think a lot of people who want to be musicians terrify their parents because they don't have a living example of it in their families, and I did. So I always knew that it was possible.
A poem is a private story, after all, no matter how apparently public. The reader is always overhearing a confession.
Negatives are the notebooks, the jottings, the false starts, the whims, the poor drafts, and the good draft but never the completed version of the work The print and a proper one is the only completed photograph, whether it is specifically shaded for reproduction, or for a museum wall.
I am performing this role of the artist and this role of the 'negress' coming into a white-box institution. It's kind of a self-appointed role: the self-designated negress.
Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend towards the roles of planner and programmer, and then become an audience to the results
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