An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
In the 'Nude Descending a Staircase,' I wanted to create a static image of movement: movement is an abstraction, a deduction articulated within the painting, without our knowing if a real person is or isn't descending an equally real staircase.
Interpretation
Duchamp's quote reflects on capturing the essence of movement in a static work of art.
In this quote, Marcel Duchamp expresses his desire to convey the concept of movement within a single, unchanging image, challenging the viewer's perception of reality. He emphasizes that the painting serves as an abstraction of motion, prompting viewers to engage with the idea that the depicted action of descending a staircase can exist in their minds despite the absence of actual movement.
In practice
During a gallery opening, one might quote Duchamp to discuss the nature of modern art and its relation to movement.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
A song ain't nothing but a conversation fixed up to where you can talk it over and over without getting tired of it.
The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure.
There is nothing as mysterious as a fact clearly described. I photograph to see what something will look like photographed.
Artists, musicians, scientists - if you have any kind of visionary aptitude, it's often something that you don't have a choice in. You have to do it.
If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn't matter a damn how you write.
"Music, for me, has always been a place where anything is possible--a refuge, a magical world where anyone can go, where all kinds of people can come together, and anything can happen. We are limited only by our imaginations.
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