Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
Interpretation
Having rhythm is essential for playing music, and one should enjoy the process regardless of financial success.
Eddie Van Halen emphasizes the importance of rhythm in music, suggesting that with it, one can master any musical piece. He advocates for perseverance and joy in playing music, highlighting that even if financial struggles arise, finding joy in the art is paramount.
In practice
This quote can be used in a music class to inspire students to embrace the joy of playing.
When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
Music is for people. The word 'pop' is simply short for popular. It means that people like it. I'm just a normal jerk who happens to make music. As long as my brain and fingers work, I'm cool.
There's a plaque on our wall that says we've sold over 65 million albums, and I don't feel I've accomplished anything. I feel like I'm just getting started.
And if I would have taken lessons I probably wouldn't have done it, and what forced me to do all this weird stuff on the guitar was I couldn't afford effects pedals, I didn't have all this stuff when I was a kid so I just tried to squeeze all the weird noises I could out of the guitar, which brings me to building guitars.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
Music kept me off the streets and out of trouble and gave me something that was mine that no one could take away from me.
I know a lot of people who wouldn't be comfortable with everything that comes with being in a band as big as Nirvana. The thing that I don't understand is not appreciating that simple gift of being able to play music.
This is what I want everyone to experience at the end of my concert... _x000D_ everyone has this sense of rejoicing. _x000D_ I don't want them to be blown away by what I do, _x000D_ I want them to have this sense of real, real joy _x000D_ from the depths of their being. _x000D_ Because I think when you take them to that place, _x000D_ then you open up a place where grace can come in.
When I saw Jimi Hendrix I knew immediately that this guy was the real thing ... and when he played it was like a rough sketch of what he was going to become ... this guy was our generation, and he wasn't in a suit .. he played a Howlin' Wolf song 'Killing Floor', and then we (The Cream) had to carry on the set. It was pretty hard to follow.
When the band plays fast, you play slow; when the band plays slow, you play fast.
A young tenor player was complaining to me that Coleman Hawkins made him nervous. Man, I told him Hawkins was supposed to make him nervous! Hawkins has been making other sax players nervous for forty years!
I respected Ella Fitzgerald, Nat King Cole and Frank Sinatra. Those were my heroes, and they were 10 years older than I was.
Subscribe for the occasional hand-picked quote. No noise.