But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
Eugenio MontaleRead
It has often been observed that the repercussion of poetic language on prose language can be considered a decisive cut of a whip.
Interpretation
Poetic language profoundly influences prose, shaping its power and clarity.
Eugenio Montale suggests that the impact of poetic language on prose is both significant and sharp, akin to the decisive strike of a whip. This metaphor indicates that poetic elements can invigorate prose, enriching it and enforcing a sense of urgency and clarity that can profoundly affect the reader's experience and understanding.
In practice
This quote could be used in a discussion about the importance of literary techniques in creative writing workshops.
But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
Mass communication, radio, and especially television, have attempted, not without success, to annihilate every possibility of solitude and reflection.
I have always knocked at the door of that wonderful and terrible enigma which is life.
For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.
Man cannot produce a single work without the assistance of the slow, assiduous, corrosive worm of thought.
I come from the place where I am thinking 'I have put my blood on the pages.'
Literature is born when something in life goes slightly adrift.
Here the frailest leaves of me and yet my strongest lasting, Here I shade and hide my thoughts, I myself do not expose them, And yet they expose me more than all my other poems
The dumbing down of the country reflects itself on Broadway. The shows get dumber, and the public gets used to them.
As artists, we have an opportunity to help the public evolve, raise consciousness and awareness, teach, heal, enlighten and inspire in ways the democratic process may not be able to touch. So we keep it moving.
There is no color line in art.
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