Older people say, 'Oh I loved you in 'Sense and Sensibility,'' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'
Interpretation
The quote reflects on how different generations connect with films that resonate with them, highlighting the diversity of cinema appreciation.
Alan Rickman's quote underscores the generational differences in film appreciation, pointing out that older individuals may idealize classic films like 'Sense and Sensibility,' while others may prefer more contemporary or cult favorites such as 'Galaxy Quest' or 'Dogma.' This illustrates not only the impact of cinema on various age groups but also how personal experiences shape our preferences for art and storytelling.
In practice
During a film festival, you can use this quote to emphasize the different perspectives people have about movies based on their age.
Film has to be reflecting the world that we live in, and that's all you want to be a part of. Actors inhabit the same planet as everyone else. It's a weird thing that happens when you're an actor because people hold you up because you somehow embody in parts groups of people or people's hopes or something.
You can act truthfully or you can lie. You can reveal things about yourself or you can hide. Therefore, the audience recognizes something about themselves or they don't -- You hope they don't leave the theatre thinking that was nice...now where's the cab?'
I'm a lot less serious than people think, it's probably because the way my face is put together.
Those of you who are not aware of my brilliant career as a stand up comic, I'm not aware of it either so we might well wonder what we're doing here.
Acting is mostly about listening. If you just focus in on what the other person is saying, acting takes care of itself to quite a large extent.
When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
Acting, I found, was the biggest charge I ever had. What other artist has it so good? Approval so quick?
There are thousands of ragas, and they are all connected with different times of the day, like sunrise or night or sunset. It is all based on 72 of what we call 'mela' or scales. And we have principally nine moods, ranging from peacefulness to praying, or the feeling of emptiness you get by sitting by the ocean.
A memoir is always the most authentic telling of a situation, but a novel gets to different places.
I find in all the artists that I admire most a disturbing element, a distortion, giving evidence of a struggle . . . . In great art, this conflict is hidden, it is unresolved. All that is bursting with energy is disturbing - not perfect.
I would never, ever use a novel to do thinly disguised political information dissemination. For me, all these experiences, they sat in me, and they got broken down into my body, and I sweated it out. It's not because I want to talk about 'issues.' For me, a novel is a way of seeing the world.
I like silence. Aesthetically, I feel strangled by the fast cutting and a wall of sound. And I think showing black people thinking onscreen is radical.
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