She stands and moves within the invisible pentacle of her own virginity. She is an unbroken egg: she is a sealed vessel; she has inside her a magic space the entrance to which is shut tight with a plug of membrane; she is a closed system; she does not know how to shiver.
One day, Annabel saw the sun and moon in the sky at the same time. The sight filled her with a terror which entirely consumed her and did not leave her until the night closed in catastrophe for she had no instinct for self-preservation if she was confronted by ambiguities.
Interpretation
What this quote means
The quote explores the human struggle with ambiguity and fear in the face of conflicting truths.
In this quote, Angela Carter illustrates the protagonist Annabel's overwhelming fear when confronted with the simultaneous presence of the sun and moon—symbols of contrasting forces or certainties in life. This fear stems from her inability to navigate ambiguity, highlighting a deeper existential struggle faced by individuals who find it difficult to reconcile conflicting realities. The climax of the quote underlines the consequences of such terror, suggesting that a lack of self-preservation instincts can lead to personal catastrophe.
Themes
In practice
Example use cases
During a philosophical discussion on the nature of reality and existence.
More from Angela Carter
All quotes →Cities have sexes: London is a man, Paris a woman, and New York a well-adjusted transsexual.
Those are the voices of my brothers, darling; I love the company of wolves.
For most of human history, 'literature,' both fiction and poetry, has been narrated, not written — heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.
Iconic clothing has been secularized. . . . A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent.
To pin your hopes upon the future is to consign those hopes to a hypothesis, which is to say, a nothingness. Here and now is what we must contend with.
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