If I am not good to myself, how can I expect anyone else to be good to me?
Maya AngelouRead
I know that one of the great arts that the writer develops is the art of saying, 'No. No, I'm finished. Bye.' And leaving it alone. I will not write it into the ground. I will not write the life out of it. I won't do that.
Interpretation
The quote emphasizes the importance of knowing when to stop writing and not over-explaining a story.
Maya Angelou highlights the skill of knowing when to conclude a piece of writing effectively. She suggests that part of a writer's art lies in the ability to leave the narrative as it is, without feeling the need to continue elaborating or exhausting the subject. This restraint allows for clarity and preserves the essence of the work, preventing it from becoming diluted.
In practice
In a writing workshop, when discussing the importance of brevity in storytelling.
If I am not good to myself, how can I expect anyone else to be good to me?
I find it interesting that the meanest life, the poorest existence, is attributed to God's will, but as human beings become more affluent, as their living standard and style begin to ascend the material scale, God descends the scale of responsibility at commensurate speed.
The white American man makes the white American woman maybe not superfluous but just a little kind of decoration. Not really important to turning around the wheels of the state. Well the black American woman has never been able to feel that way. No black American man at any time in our history in the United States has been able to feel that he didn't need that black woman right against him, shoulder to shoulder-in that cotton field, on the auction block, in the ghetto, wherever.
I dreamt we walked together along the shore. We made satisfying small talk and laughed. This morning I found sand in my shoe and a seashell in my pocket. Was I only dreaming?
I know that I'm not the easiest person to live with. The challenge I put on myself is so great that the person I live with feels himself challenged. I bring a lot to bear, and I don't know how not to.
I think Clinton, after getting into office and into Washington, was shocked at being bludgeoned. So he spent time trying to be all things to all people - one way guaranteed not to be successful or respected in a lion's den. You can't just play around with all those big cats - you've got to take somebody on.
There should be change - the West should understand our music and culture, and vice versa. With such collaboration, artists can come closer to each other and come to know each other.
The urge to destroy is also a creative urge.
All the stuff I love most in game storytelling is never the big-picture stuff; it's the stuff that feels like curlicues, stuff that's just there because it's a game and because you can do it.
Some people try to get very philosophical and cerebral about what they're trying to say with jazz. You don't need any prologues, you just play. If you have something to say of any worth then people will listen to you.
A person who's only suffering can't write a poem. There are choices to be made, and you need to be objective.
You hear about the Duke Ellingtons, the Jimmie Luncefords, and the Fletcher Hendersons, but people sometimes forget that jazz was not only built in the minds of the great ones, but on the backs of the ordinary ones.
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