The death penalty not only takes away the life of the person strapped to the table - it takes away a little bit of the humanity in each of us.
Clint SmithRead
One does not read a poem by Gwendolyn Brooks with hopes that it will grant him a career in engineering; he does so because poetry helps him see something in the world that he might not have seen before.
Interpretation
Poetry enriches our understanding of the world beyond practicality or career goals.
This quote emphasizes that engaging with poetry is not about achieving tangible career benefits, but rather about expanding one's perspective and enhancing one's perception of the world. It highlights the intrinsic value of art in revealing deeper insights and emotions that might otherwise go unnoticed in our everyday lives.
In practice
In a discussion about the value of literature in education, one might say, 'As Clint Smith points out, poetry provides insights beyond traditional career paths.'
The death penalty not only takes away the life of the person strapped to the table - it takes away a little bit of the humanity in each of us.
In an effort to create a culture within my classroom where students feel safe sharing the intimacies of their own silences, I have four core principles posted on the board that sits in the front of my class, which every student signs at the beginning of the year: read critically, write consciously, speak clearly, tell your truth.
History has proven that art depicting black people cannot be disentangled from the political implications that such art has on their lives. As Africans were being stripped from the continent and sailed across the Atlantic to the Western world, depictions of black people in Western art changed in order to further render them racialized caricatures.
Photography, sculpture, and painting were wielded as cultural weapons over the course of generations to substantiate the idea that black people were inherently subordinate beings; they were used to make slavery acceptable and to make black subjugation more palatable.
In my hometown of New Orleans, grief is a public spectacle that, somewhat paradoxically, necessitates celebration. The dead are not mourned so much as they are posthumously venerated with music and dance.
My parents raised me and my siblings in an armor of advice, an ocean of alarm bells so someone wouldn't steal the breath from our lungs, so that they wouldn't make a memory of this skin.
Whether I'm painting or not, I have this overweening interest in humanity. Even if I'm not working, I'm still analyzing people.
Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
Artists can have greater access to reality; they can see patterns and details and connections that other people, distracted by the blur of life, might miss. Just sharing that truth can be a very powerful thing.
So while you're imitating Al Capone, I'll be Nina Simone_x000D_ And defecating on your microphone.
Technical knowledge is not enough. One must transcend techniques so that the art becomes an artless art, growing out of the unconscious.
A poet can survive everything but a misprint.
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