I've been uprooted. I don't think a tree that's been uprooted as a happy tree and I'm not very happy. I can't be. I do not accept to be.
Mikis TheodorakisRead
I put one questions. For whom I compose? My answer is I wanted to address to all my people. And if I write music for the Greek people because I'm Greek, I compose for all the people.
Interpretation
The quote expresses the idea of creating art for the collective benefit of humanity, transcending personal or cultural boundaries.
Mikis Theodorakis' quote reflects the essence of art as a universal language, emphasizing that his music is intended not just for Greeks, but for all people. It highlights the importance of cultural identity while simultaneously advocating for a broader connection and understanding among diverse communities through the power of music.
In practice
In a speech at a music festival, one might use this quote to inspire artists to create for all people.
I've been uprooted. I don't think a tree that's been uprooted as a happy tree and I'm not very happy. I can't be. I do not accept to be.
The established politicians, who before the war preached national pride and Christian love, were the first to collaborate with the Germans. But the communists, who as children we'd been taught to fear, kept a resistance movement alive, living and dying true to their ideals.
A man who goes to jail for his ideas is much freer than his keepers.
In 'Roma,' I wanted to get across the idea that underneath Rome today is ancient Rome. So close. I am always conscious of that, and it thrills me. Imagine being in a traffic jam at the Coliseum! Rome is the most wonderful movie set in the world... As was the case with many of my film ideas, it was inspired by a dream.
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
I always had a lot of fun in America, with much more freedom than if I had tried to cook in France. I wouldn't have the same motivation or inspiration, and I wouldn't have cooked for the same kind of people in France, so it wouldn't have given me this edge I had in America.
The dimensions of a work of art are seldom realized by the author until the work is accomplished. It is like a flowering dream. Ideas grow, budding silently, and there are a thousand illuminations coming day by day as the work progresses. A seed grows in writing as in nature. The seed of the idea is developed by both labor and the unconscious, and the struggle that goes on between them.
No doubt the artist is the child of his time; but woe to him if he is also its disciple, or even its favorite.
Come clean with a child heart Laugh as peaches in the summer wind Let rain on a house roof be a song Let the writing on your face be a smell of apple orchards on late June.
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