Dharma Bums refusing to subscribe to the general demand that they consume production and therefore have to work for the privilege of consuming, all that cramp they didn't really want anyway such as refrigerators, TV sets, cars, at least new fancy cars, certain hair oils and deodorants and general junk you finally always see a week later in the garbage anyway, all of them imprisoned in a system of work, produce, consume, work, produce, consume.
The one thing that we yearn for in our living days, that makes us sigh and groan and undergo sweet nauseas of all kinds, is the remembrance of some lost bliss that was probably experienced in the womb and can only be reproduced (though we hate to admit it) in death. But who wants to die?
Interpretation
What this quote means
The quote reflects on the deep human desire to reconnect with lost joy and bliss experienced in early life, contrasting it with the fear of death.
Jack Kerouac's quote explores the inherent human longing for a sense of bliss and fulfillment that seems to stem from a time before birth, possibly evoking the connection to our origins in the womb. This yearning creates emotional turmoil as it highlights the paradox of seeking that lost happiness in a place associated with death, ultimately leading to an inner conflict since, despite the desire to return to a state of contentment, the thought of dying is frightening. It raises profound questions about life, memory, and what it means to truly feel fulfilled.
Themes
In practice
Example use cases
In a discussion about the complexities of life experiences and desires, this quote serves to express the longing for lost happiness.
More from Jack Kerouac
All quotes →I was amazed by the fact that I was not the only writer living, not the only young man "with a locomotive in his chest, and that's a fact," not the only youth with a million hungers and not one of them appeasable, not the only one who is lonely among multitudes, and does not know why.
My aunt once said that the world would never find peace until men fell at their women's feet and asked for forgiveness.
The bus roared through Indiana cornfields that night; the moon illuminated the ghostly gathered husks; it was almost Halloween. I made the acquaintance of a girl and we necked all the way to Indianapolis. She was nearsighted. When we got off to eat I had to lead her by the hand to the lunch counter. She bought my meals; my sandwiches were all gone. In exchange I told her long stories.
Holding up my purring cat to the moon. I sighed.
It seemed like a matter of minutes when we began rolling in the foothills before Oakland and suddenly reached a height and saw stretched out ahead of us the fabulous white city of San Francisco on her eleven mystic hills with the blue Pacific and its advancing wall of potato-patch fog beyond, and smoke and goldenness in the late afternoon of time.
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Our world, like a charnel-house, is strewn with the detritus of dead epochs.
My father was a man of great charity towards the poor, and compassion for the sick, and also for servants; so much so, that he never could be persuaded to keep slaves, for he pitied them so much: and a slave belonging to one of his brothers being once in his house, was treated by him with as much tenderness as his own children.
Pleasure without God, without the sacred boundaries, will actually leave you emptier than before. And this is biblical truth, this is experiential truth. The loneliest people in the world are amongst the wealthiest and most famous who found no boundaries within which to live. That is a fact I've seen again and again.
I can explain my body and my brain, but there's something more. I can't explain my own existence - what makes me a unique human being.
When one reaches this state of harmony between things and one's self, one reaches a state of perfect freedom and peace-which makes everything possible and right. Life becomes perpetual revelation.
It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.