Music isn't about music, it's about life.
Herbie HancockRead
One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.
Interpretation
Jazz embodies freedom and speaks to the universal human experience despite its specific cultural origins.
In this quote, Herbie Hancock emphasizes that jazz music transcends its African American roots, encapsulating a broader message of freedom and openness. He suggests that while it originates from a particular culture, the essence of jazz conveys universal themes that resonate with the entire human experience, highlighting the power of music to connect people across different backgrounds.
In practice
In a speech about cultural diversity at a music festival, one might quote Hancock to emphasize the unifying power of jazz.
Music isn't about music, it's about life.
I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
I think people have learned that Herbie Hancock can be defined as someone that you won't be able to figure out what he's going to do next. The sky is the limit as far as I'm concerned.
I started off with classical music, and I got into jazz when I was about 14 years old. And I've been playing jazz ever since.
It's easy to get sidetracked with technology, and that is the danger, but ultimately you have to see what works with the music and what doesn't. In a lot of cases, less is more. In most cases, less is more.
Jazz washes away the dust of every day life.
Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
A young tenor player was complaining to me that Coleman Hawkins made him nervous. Man, I told him Hawkins was supposed to make him nervous! Hawkins has been making other sax players nervous for forty years!
I wouldn't say that I'm the greatest guitarist ever. I'd say probably that I'm the greatest guitarist sitting in this chair.
The way I see it, rock n' roll is folk music.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
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