Playing good girls in the '30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.
Olivia De HavillandRead
What bothered me was playing one-dimensional parts in films which were really about, 'Boy Meets Girl,' 'Will Boy Get Girl?'
Interpretation
The quote expresses frustration with superficial roles in films that focus solely on simple romantic plots.
Olivia De Havilland's quote highlights her dissatisfaction with the limited and often simplistic roles available to actors in the film industry, particularly those that revolve around conventional, clichΓ©d narratives like 'Boy Meets Girl.' She critiques the tendency of filmmakers to rely on one-dimensional character arcs that sacrifice depth and complexity for the sake of portraying predictable romantic storylines.
In practice
During a film panel discussion about character development, this quote can highlight the importance of depth in storytelling.
Playing good girls in the '30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.
I would passionately make the case that the harder the times, the more we need things that aren't just about keeping our job and making a buck - important though those things are. Arts programming isn't some sort of add-on or ornamental luxury.
I cannot conceive of music that expresses absolutely nothing.
So many cartoonists draw the same year after year. When they find a style, they stick with it. They don't mess with innovation, and they become boring.
The more one studies the harmony of music, and then studies human nature, how people agree and how they disagree, how there is attraction and repulsion, the more one will see that it is all music.
If literature has engaged me as a project, first as a reader, then as a writer, it is as an extension of my sympathies to other selves, other domains, other dreams, other territories.
The most powerful words in English are 'Tell me a story,' words that are intimately related to the complexity of history, the origins of language, the continuity of the species, the taproot of our humanity, our singularity, and art itself.
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