Playing good girls in the '30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.
Olivia De HavillandRead
What bothered me was playing one-dimensional parts in films which were really about, 'Boy Meets Girl,' 'Will Boy Get Girl?'
Interpretation
The quote expresses frustration with superficial roles in films that focus solely on simple romantic plots.
Olivia De Havilland's quote highlights her dissatisfaction with the limited and often simplistic roles available to actors in the film industry, particularly those that revolve around conventional, clichéd narratives like 'Boy Meets Girl.' She critiques the tendency of filmmakers to rely on one-dimensional character arcs that sacrifice depth and complexity for the sake of portraying predictable romantic storylines.
In practice
During a film panel discussion about character development, this quote can highlight the importance of depth in storytelling.
Playing good girls in the '30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.
Basically, you make another movie, and another, and hopefully you feel good about every picture you make. And you say, 'My name is on that. I did that. It's OK.' But don't get me wrong, I still get excited by it all. That, I hope, will never disappear.
We know there are poets who are chosen: by what or whom, we no more know than what lies beyond our final breath, or what caused a certain action which resulted in the fulfillment or the desecration and collapse of what we most cared for in life.
Acting has to do with saying it as if you meant it, so for me the words are always very important. It's very important for me to know my lines, know them so well that I don't have to think about them.
To write requires an ego, a belief that what you say matters. Writing also requires an aching curiosity leading you to discover, uncover, what is gnawing at your bones.
The way I would describe a pictorial is that it is a picture that makes everybody say ‘Aaaaah,’ with five vowels when they see it. It is something you would like to hang on the wall. The french word ‘photogenique’ defines it better than anything in English. It is a picture which must have quality, drama, and it must, in addition, be as good technically as you can possible make it.
The man is either mad, or he is making verses.
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