Playing good girls in the '30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.
Olivia De HavillandRead
What bothered me was playing one-dimensional parts in films which were really about, 'Boy Meets Girl,' 'Will Boy Get Girl?'
Interpretation
The quote expresses frustration with superficial roles in films that focus solely on simple romantic plots.
Olivia De Havilland's quote highlights her dissatisfaction with the limited and often simplistic roles available to actors in the film industry, particularly those that revolve around conventional, clichΓ©d narratives like 'Boy Meets Girl.' She critiques the tendency of filmmakers to rely on one-dimensional character arcs that sacrifice depth and complexity for the sake of portraying predictable romantic storylines.
In practice
During a film panel discussion about character development, this quote can highlight the importance of depth in storytelling.
Playing good girls in the '30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.
Movie actors earn their living and learn their craft through listening and reacting.
For a film maker, an Oscar is like a Nobel Prize, you know. So I am very happy... delighted. There is nothing more after this. I cannot hope to get anything more prestigious.
It's what I do well - I write about things that make people uncomfortable. That's probably the only thing I do better than my peers.
I'm aware of the power of looks. I've wanted to play roles that have gone to much better-looking people and you just think 'Oh well, that's the pin up guy's an actor like my friend James Mcavoy, who's gorgeous on screen. I'm not that. But at least I don't have to worry about taking precious care of my face because it's my commodity. That's a great freedom. I'm not afraid of being heinous for the sake of a part
When people are deprived of a sense, their other senses get heightened. If you're culturally devoid of something - of weather, of artistry, of interesting architecture, all the way down the line to culture itself - you're either forced to give in and get that car dealership, or you manufacture those things for yourself.
The object of art is to give life shape.
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