Knowledge is like money: to be of value it must circulate, and in circulating it can increase in quantity and, hopefully, in value.
Louis L'AmourRead
I think of myself in the oral tradition-as a troubadour, a village tale-teller, _x000D_ the man in the shadows of the campfire. That's the way I'd like to be remembered-_x000D_ as a storyteller. A good storyteller.
Interpretation
This quote highlights the importance of storytelling as a vital cultural tradition and personal legacy.
In this quote, Louis L'Amour reflects on his identity as a storyteller, likening himself to a troubadour or a village tale-teller whose role is to share stories that connect people and preserve culture. He expresses a desire to be remembered for his ability to weave narratives that resonate and leave an impact on those who hear them, emphasizing the value of storytelling in human experience.
In practice
In a speech about preserving culture, one might quote L'Amour to emphasize the importance of storytelling.
Knowledge is like money: to be of value it must circulate, and in circulating it can increase in quantity and, hopefully, in value.
One who returns to a place sees it with new eyes. Although the place may not have changed, the viewer inevitably has. For the first time things invisible before become suddenly visible.
Once you have read a book you care about, some part of it is always with you.
If you wait for inspiration, you're not a writer, but a waiter.
Books are the perfect Time Machine. By the simple act of opening a book you can, in an instant, be travelling up a jungle river without once being bitten by mosquitoes, or you can almost die of thirst in the desert while holding a cold drink in your hand, or dine in the finest restaurants and never have to worry about paying the bill, or ride the wild country of our western frontier and never worry about losing your scalp to a raiding party.
Adventure is just a romantic name for trouble. It sounds swell when you write about it, but it's hell when you meet it face to face in a dark and lonely place.
Music, feelings of happiness, mythology, faces worn by time, certain twilights and certain places, want to tell us something, or they told us something that we should not have missed, or they are about to tell us something; this imminence of a revelation that is not produced is, perhaps, the esthetic event.
I suppose I'm saying that defiance is actually part of the lyric job
I really am a theater person. That means you put something out there, and you let it go. Tomorrow night is a new performance.
I don't really understand why so many fantasy writers choose to focus on worlds that just seem strangely denuded. But to them, I guess it doesn't seem strange. And I guess that's their privilege. It isn't mine.
You have to accept as an architect to be exposed to criticism. Architecture should not rely on full harmony.
I used to think it was possible for an artist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory.
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