There's a kind of optimism specifically within Christianity about the world - about whose side God is on. Well, I didn't have any of that in my background. I had physicality and chaos.
Ta-Nehisi CoatesRead
Outside of hip-hop, it was in comics that I most often found the aesthetics and wisdom of my world reflected.
Interpretation
The quote highlights the author's connection to comics as a source of aesthetic and wisdom.
Ta-Nehisi Coates expresses how comics, alongside hip-hop, resonate deeply with his understanding of the world, providing both artistic value and profound insights. This reflects the cultural significance of comics in shaping perceptions and narratives in modern society.
In practice
In a talk about the influence of art forms on culture, this quote from Ta-Nehisi Coates perfectly illustrates the value of comics.
There's a kind of optimism specifically within Christianity about the world - about whose side God is on. Well, I didn't have any of that in my background. I had physicality and chaos.
We've got in the habit of not really understanding how freedom was in the 19th century, the idea of government of the people in the 19th century. America commits itself to that in theory.
I never expected my writing to become as popular as it did.
It's hard for me to view Baltimore outside the context of what Baltimore has always been in my mind: a violent place.
If I could have anything - you know, and this is across the board for any presidential candidate - I would have a greater acknowledgment of history in our policy and in our affairs.
You can't make a direct comparison between middle-class African Americans and middle-class white Americans, affluent African Americans and affluent white Americans. The amount of wealth tends to be less.
The thing I love about music is that you can take things that are painful, deep things that hurt you, and you can turn them into something beautiful.
There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story.
The only people I would care to be with now are artists and people who have suffered: those who know what beauty is, and those who know what sorrow is: nobody else interests me.
Fiction is burdened for me with a sense of duty.
I think all creative people are operating from the fear that, of the best of what they did, will anybody remember it? Will anybody tell stories about them? Will anybody keep those pictures on the mantle long after they are gone? It's why people write stories. It's peoples' grave markers.
Look and think before opening the shutter. The heart and mind are the true lens of the camera.
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